Motu HDX-SDI Bedienungsanleitung


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U S I N G T H E M O T U H D X - S D I W I T H M E D I A C O M P O S E R
1
Using the MOTU HDX-SDI with Media Composer
OVERVIEW
The MOTU Open I/O plug-in allows you to use MOTU’s
HDX-SDI PCI video interface with Media Composer 6 or
later. This document explains how to install the plug-in and
use the MOTU video interface hardware with your Media
Composer system.
INSTALLATION
The Open I/O Plug-in is included in the latest complete
software installer for the HDX-SDI, which can be
downloaded from motu.com/video-download. Simply run
the installer and follow the on-screen directions.
SETUP
Once you have run the installer, connect the HDX-SDI as
explained in the manual. Run the MOTU Video Setup
application to ensure that the software can successfully
communicate with the hardware. Refer to the trouble-
shooting section of the manual, if needed.
USING MOTU VIDEO SETUP WITH MEDIA
COMPOSER
The MOTU Video Setup application allows you to control
HDX-SDI settings, and it can also provide useful trouble-
shooting information. Some of the controls in MOTU Video
Setup have no effect when using Media Composer. (They are
provided for other video editing applications.) This guide
makes note of such controls.
You can open MOTU Video Setup from Media Composer in
a number of ways:
Choose
Hardware Setup
from the Tools menu.
Click the Hardware Setup button in the Capture
Tool or in the Hardware tab of Audio Project Settings.
Double-click
Video Input
or
Video Output
in the Settings
tab of the Project window.
Click the Monitor Volume button in the Timeline
window.
Figure 1: MOTU Video Setup.
Status
Tabs Tab settings Genlock statusInput status
U S I N G T H E M O T U H D X - S D I W I T H M E D I A C O M P O S E R
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VIDEO FORMAT AND INPUT SOURCE
Use the Input Source menu (Figure 1) to choose the video
input from which to capture. This input can also be used as
timing reference for playback by setting
Playback Clock
Source
to
Input Source
.
While Media Composer is running, the Video Format menu
shows the current video format. It can also be used to choose
between progressive (1080p) and progressive segmented
frame (1080PsF) formats. Any other format changes must be
made from within Media Composer (by opening a new
project, or with the Project Type menu in the Format tab of
the Project window).
STATUS AND TROUBLESHOOTING
The status area at the top of the window (Figure 1) provides
helpful troubleshooting information. If video playback or
capture isn’t working, the status area will often tell you why.
Media Composer will switch to playback mode when any
window other than the Capture Tool is in front. If previewing
for capture isn’t working, open MOTU Video Setup, move
the window if necessary so that it will not be covered by the
Capture Tool, and then bring the Capture Tool to the front.
This will allow you to see any diagnostic messages in the
MOTU Video Setup window while in capture mode.
The Genlock indicator in the lower right of the MOTU Video
Setup window and the Input Status in the lower left
(Figure 1) are also useful for troubleshooting problems with
connections and configuration.
Troubleshooting tips:
Unless there is a source of video sync (either house sync,
or some sort of video input), the Playback Clock Source
must be set to Internal.
For 1080p Project Types, make sure to use the Video
Format menu to choose 1080p or 1080PsF as appropriate.
(For Mac users only) When using the serial port of the
HDX-SDI for remote control of a deck, make sure the
Timecode Source menu is set to Sony 9-pin.
SETUP PAGE
The Default Mode control (Figure 1) determines whether the
HDX-SDI will be in Capture or Playback mode when not in
use by any video application. It has no effect while using
Media Composer.
The Capture Clock Source and Playback Clock Source
menus (Figure 1) are used to set the timing reference used for
video capture and playback. See the manual for details.
(For Mac users only) The Timecode Source menu (Figure 1)
must be set to Sony 9-Pin when using the serial port of the
HDX-SDI for remote control of a deck. The Timecode
Destination and SDI Output Timecode Format menus have
no effect when using Media Composer.
See the manual for information about the other settings on
the Setup page.
Figure 2: The Playback tab settings.
Color
Lookup
Table
(CLUT) for
playback
U S I N G T H E M O T U H D X - S D I W I T H M E D I A C O M P O S E R
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PLAYBACK PAGE
The Playback Timecode Offset and Playback 29.97 fps
Timecode controls (Figure 2) have no effect when using
Media Composer.
See the HDX-SDI manual for information about the other
settings on the Playback page.
AUDIO PAGE
Do not use the Sample Rate menu in MOTU Video Setup to
change the sample rate when using Media Composer. The
sample rate should only be changed by using the Sample Rate
menu in the Main tab of Media Composers Audio Project
Settings.
(For Mac only) The Downmix to Output 1-2 on Capture
button has no effect when using Media Composer.
Use the Inputs Bank A menu to choose which audio inputs
will appear as the first eight inputs in Media Composer. The
Bank B lets you choose an additional eight inputs, which will
appear as inputs 9 through 16 in Media Composer. If Bank B
is set to None, only 8 inputs will be available in Media
Composer.
RS 422 DECK CONTROL
The RS 422 serial port on the HDX-SDI can be used with
Media Composer on the Mac. It is not currently supported
on Windows.
On the Mac, select the HDX-SDI’s serial port in the Deck
Configuration dialog by setting Channel Type to Direct and
Port to HDX-SDI RS-422 Sony 9-Pin.
On Windows, use a separate USB-to-serial adapter for deck
control. Avid recommends the Addenda RS-USB/4:
http://www.addenda.com/addenda-elect/products/rsUSB4.php
A NOTE ABOUT TIME CODE SUPPORT
As of Media Composer 6.0, Open I/O provides no support
the following features of the HDX-SDI:
Timecode input (LTC, VITC, or SDI embedded)
Timecode output (LTC, VITC, or SDI embedded)
Timecode display (except during batch capture or digital
cut with the HDX-SDI’s RS 422 serial port — Mac only)
Notwithstanding this, Media Composer can do frame-
accurate batch capture and digital cut with the HDX-SDI,
using a deck connected with a USB-to-serial adapter, or
(Mac only) using the HDX-SDI's RS 422 serial port.
Figure 2-1: Audio tab.
©2011 MOTU, INC.


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