Line 6 Echo Farm 3.0 Bedienungsanleitung

Line 6 Nicht kategorisiert Echo Farm 3.0

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Echo Farm 3.0

PILOT’S GUIDE

A guide to the features and functionality of the Line 6 Echo Farm plug-in

Windows:

• Choose Start > Control Panel (or Settings on Windows 10).

• Click Programs and Features (or System, then Apps & Features

on Windows 10).

• Select the Echo Farm plug-in from the list of installed applications

• Click Uninstall and follow the on-screen instructions to remove

the Echo Farm plug-in (this uninstalls all plug-in formats).

Using Echo Farm

Now that you’re all set for Echo Farming, we’ll use the next few pages to

go through the various Echo Farm controls and see what they do.

The Basics of Mouse Control

All the Echo Farm plug-in's knob controls are designed to be adjusted

using a straight left-to-right or up-and-down mouse motion. Click on any

knob and drag to the left or down to lower the parameter's value. Drag to

the right or up to increase the value. For best results, avoid clicking and

dragging a knob in a circular motion.

TIP: For most knob controls, simply double-click directly on the

knob itself to reset it to its default value.

The Echo Farm buttons are generally congured for single-click

operation. Click on a button to change the parameter to its opposite

state, and click again to change it back. The exception is the Note

button; click and hold on the Note button for a pop-up selection and

choose the desired note division value. Additional model-specic

details follow on the next few pages.

Echo Farm Controls

3 4 5 6 7

Echo Farm plug-in window (Pro Tools)

1. Echo Model Menu - This is where you select the echo model you

would like the plug-in to use.

2. Echo Model Info Button (the question mark button) - Click for

additional details and to get a peek at the inspiration for the currently

selected model.

3. Delay Time Knob and Display - Use to set the delay time, or simply

click on the display and type in a numerical value (displayed in

milliseconds).

4. BPM Tempo Display - In addition to the Delay Time controls, you

can alternatively set the delay time by entering the tempo (Beats

Per Minute) of your tune. Or, click the little lock icon to the left of the

Tempo title to sync to the session timeline tempo. Never worry again

about your delay repeats falling out of sync!

Ping Pong

This model is a Line 6 original.

The Ping Pong model has two separate channels of delay, with the

output of each channel (when the plug-in is utilized in stereo) owing into

the other, going back and forth like a game of ping pong. The Delay Time

controls set the time for the main delay line, and the Oset knob sets the

time for the right side delay line as a percentage of the main Delay Time.

Sound too tricky? Just turn the Delay Time knob (or type in a delay time,

or select a tempo and note value, or, heck, just click a few times on the

Tap button) to adjust the longer delay time you hear, and turn Oset to

adjust the shorter delay time. If you set Oset straight up at 12 o’clock,

your left and right delays are evenly spaced.

Reverse

This model is a Line 6 original.

!seltaeB eht dna xirdneH imiJ ekil tsuJ... Take a step back in time with

your cool new Reverse delay. Whatever you play in comes back at you

backwards, delayed by the time you set with the Delay Time knob (1.25

seconds max). Sure, if you didn’t have the Echo Farm Reverse model, you

could play a whole track in, reverse it, and then listen to the playback, but

that's not nearly as much fun. To use this little wonder most eectively,

try playing a legato lick, ignoring the reverse playback as well as you can.

Longer licks can translate into very cool reverse phrases. Also, when

using Reverse, try setting Mix to its maximum, fully clockwise position

(100% wetness) so all you hear is the reversed sound – welcome to the

world of instant backwards guitar solo madness! Some nifty things to

try: Set a very short delay time – this will give you a weird “resonant lter”

eect. And, for you advanced sonic explorers: Start playback and sweep

the delay time from short to long for the hippest time warp ever available

on a digital audio workstation.

Dynamic Delay

Based on* the TC Electronic® 2290.

The TC Electronic 2290 Dynamic Digital Delay helped to make this breed

of delay eect popular. It’s a sort of “smart” volume control for your delay

repeats which dynamically sets the loudness of the delay echoes based

on how hard/loud you play your instrument. While you play (or sing,

or bang trash can lids around), the Dynamic Delay keeps the volume

of the echoes turned down, so that the echoes don’t overwhelm what

you’re doing. Then, when you stop playing for a moment, the volume

level of the repeats turns up to allow the echoes to be heard. Nifty, huh?

The Threshold knob sets the breakpoint where this automatic volume

control stops working and allows the echoes through at full volume. The

Ducking knob adjusts the level of the “ducked” repeats – higher settings

will duck the delay level down more. Try setting Threshold and Ducking

to reasonably high values, and hear how the delay eect gets partially

muted while you play/sing/drum/chant/scratch/push keys, helping to

avoid that unwanted “muddy” sound.

Auto-Volume Delay

This model is a Line 6 original.

This model gives you two eects in one. The Auto Volume part of the

equation is a volume fade-in swell, like the attack time on a synthesizer’s

envelope generator. This can be used for a bowing eect, like the one

you get by turning the volume knob on a guitar quickly up from zero just

after you pick a note. Higher settings for the Swell Time knob will give

you a longer fade-in time, so that the sound slowly fades in, like a wave.

The other eect is an echo set by the regular delay time and repeats

controls, complete with tape-style wow & utter modulation, adjustable

via the model’s Wow & Flutter knob.

*All product names are trademarks of their respective owners, which are in no way associated or aliated with Line 6. These product names, descriptions and images are

provided for the sole purpose of identifying the specic products that were studied during Line 6’s sound model development. See page 10 for further details.