Korg TP-2 Bedienungsanleitung

Korg Mischer TP-2

Lesen Sie kostenlos die 📖 deutsche Bedienungsanleitung für Korg TP-2 (8 Seiten) in der Kategorie Mischer. Dieser Bedienungsanleitung war für 32 Personen hilfreich und wurde von 2 Benutzern mit durchschnittlich 4.5 Sternen bewertet

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Owner’s Manual

Printed in Japan

Precautions

Location

Using the unit in the following locations can result in a malfunction.

• In direct sunlight

• Locations of extreme temperature or humidity

• Excessively dusty or dirty locations

• Locations of excessive vibration

• Close to magnetic fields

Power supply

Please connect the designated AC/AC power supply to an AC outlet of

the correct voltage. Do not connect it to an AC outlet of voltage other

than that for which your unit is intended.

Interference with other electrical devices

Radios and televisions placed nearby may experience reception

interference. Operate this unit at a suitable distance from radios and

televisions.

Handling

To avoid breakage, do not apply excessive force to the switches or

controls.

Care

If the exterior becomes dirty, wipe it with a clean, dry cloth. Do not use

liquid cleaners such as benzene or thinner, or cleaning compounds or

flammable polishes.

Keep this manual

After reading this manual, please keep it for later reference.

Keeping foreign matter out of your equipment

Never set any container with liquid in it near this equipment. If liquid gets

into the equipment, it could cause a breakdown, fire, or electrical shock.

Be careful not to let metal objects get into the equipment. If something

does slip into the equipment, unplug the AC/AC power supply from the

wall outlet. Then contact your nearest Korg dealer or the store where the

equipment was purchased.

THE FCC REGULATION WARNING (for U.S.A.)

This equipment has been tested and found to comply with the limits

for a Class B digital device, pursuant to Part 15 of the FCC Rules.

These limits are designed to provide reasonable protection against

harmful interference in a residential installation. This equipment

generates, uses, and can radiate radio frequency energy and, if not

installed and used in accordance with the instructions, may cause

harmful interference to radio communications. However, there is no

guarantee that interference will not occur in a particular installation. If

this equipment does cause harmful interference to radio or television

reception, which can be determined by turning the equipment off and

on, the user is encouraged to try to correct the interference by one or

more of the following measures:

• Reorient or relocate the receiving antenna.

• Increase the separation between the equipment and receiver.

• Connect the equipment into an outlet on a circuit different from that

to which the receiver is connected.

• Consult the dealer or an experienced radio/TV technician for help.

• Unauthorized changes or modification to this system can void the

user's authority to operate this equipment.

CE mark for European Harmonized Standards

CE mark which is attached to our company’s products of AC mains

operated apparatus until December 31, 1996 means it conforms to

EMC Directive (89/336/EEC) and CE mark Directive (93/68/EEC).

And, CE mark which is attached after January 1, 1997 means it

conforms to EMC Directive (89/336/EEC), CE mark Directive (93/68/

EEC) and Low Voltage Directive (73/23/EEC).

Also, CE mark which is attached to our company’s products of Battery

operated apparatus means it conforms to EMC Directive (89/336/

EEC) and CE mark Directive (93/68/EEC).

IMPORTANT NOTICE TO CONSUMERS

This product has been manufactured according to strict specifications

and voltage requirements that are applicable in the country in which it

is intended that this product should be used. If you have purchased

this product via the internet, through mail order, and/or via a tele-

phone sale, you must verify that this product is intended to be used in

the country in which you reside.

WARNING: Use of this product in any country other than that for

which it is intended could be dangerous and could invalidate the

manufacturer’s or distributor’s warranty.

Please also retain your receipt as proof of purchase otherwise your

product may be disqualified from the manufacturer’s or distributor’s

warranty.

KORG INC.

4015-2 Yanokuchi, Inagi-city, Tokyo 206-0812 Japan

TP-2 [ Tube Preamp ]

INPUT 1

INPUT 2

HI-Z

GAIN

TRIM

COMP

SENS

LEVEL METER

+48V

PHANTOM

PHASE

LINK

OUTPUT 2

OUTPUT 1

S/PDIF OUT

SAMPLING

FREQUENCY

44 48 96

OUTPUT

LEVEL

LOWCUT TUBEHA

PAD S/P DIF

TRANSMIT

HI-Z

GAIN

TRIM

COMP

SENS

LEVEL METER

+48V

PHANTOM

PHASE OUTPUT

LEVEL

LOWCUT TUBEHA

PAD

Block diagram

Specifications

Input connectors: XLR-3-31 type (+48 V phantom power, switchable),

1/4” TRS phone jack (balanced / unbalanced is Hi-Z)

Input impedance: 4 k (XLR-3-31), 10 k (TRS phone Jacks),

1 M (TRS phone Jacks is Hi-Z)

Nominal level: –60 dBu to –12 dBu @ TRIM=max. — min PAD OFF

–34 dBu to +14 dBu @ TRIM=max. — min PAD ON

Maximum level: –48 dBu to 0 dBu @ TRIM=max. — min PAD OFF

–22 dBu to +26 dBu @ TRIM=max. — min PAD ON

Hi-Z

– 48 dBu to 0 dBu @ TRIM=max. — min PAD OFF

– 22 dBu to +12 dBu @ TRIM=max. — min PAD ON

Source impedance: ..................................................................................... 600

Vacuum tubes used: ................................................................................. 12AX7

Compression method: Vacuum tube compression using a photocoupler

Principal specifications

Frequency response:

10 Hz - 44 kHz ±1 dB @ output +4 dBu, 10 k load

S/N: ............................................................................................. 85 dB (typical)

A/D conversion: ............................................. 24-bit 64 times oversampling

Sampling frequency: ............................................. 44.1kHz, 48kHz, 96kHz

Analog output

Connectors: ................... XLR-3-32 type, 1/4” TRS phone jack (balanced)

Output impedance: ................................................................................. 150

Nominal level: ....................................................................................... +4 dBu

Maximum level: .................................................................................. +16 dBu

Source impedance: ................................................................ 10k or higher

Digital output

Connectors: .............................................................................. optical, coaxial

Format: ....................................... 24bit S/P DIF (IEC60958 / EIAJ CP-1201)

General

Power supply: .......................................... Included AC/AC power supply

Dimensions:

224(W) x 170(D) x 88(H)mm / 8.82”(W) x 6.69”(D) x 3.46”(H)

(including protrusions)

Weight: ................................................................................. 1.33 kg / 2.93 lbs

Included items

AC/AC power supply, Owner’s manual

Introduction

Thank you for purchasing the Korg TP-2 Dual Tube Preamp w/

Optical Compression and Digital Output. In order to enjoy long

and trouble-free use, please read this owner’s manual carefully,

and use your only as directed.TP-2

Features

The TP-2 is a dual-channel preamp featuring two 12AX7 vacuum

tubes, plus fast operating and transparent optical compression

and limiting circuitry. Designed to accept a variety of sources

over a wide range of levels, it is ideal for your most critical and

demanding recording applications.

In addition to both XLR and 1/4” TRS balanced outputs, the TP-

2 also features both optical and coaxial digital outputs (S/P DIF

format) allowing it to interface with other digital equipment, or

to serve as a stand alone AD converter.

Using a specially tuned version of our acclaimed Valve Force

circuit, the delivers the robust, musical warmth and mid-TP-2

low region presence typical of vacuum tubes. The optical

compression responds quickly and transparently, providing a

distinctly full analog body without adversely coloring the sound.

In addition, the optical compressor’s gain reduction and limiting

circuitry allow you to avoid any audio clipping while you’re

recording.

1. Parts and their function

7 8 9 11 1210

14 15 16 17 18

1. INPUT 1, INPUT 2 jacks

These are balanced inputs that combine XLR jacks and 1/4” TRS

phone jacks.

Unbalanced phone plugs may also be connected to the 1/4” jacks.

If you are using a condenser mic requiring phantom power, connect it

to the XLR jack.

1/4" TRS phone jack

XLR jack 2: HOT

1: GND

3: COLD

If you are using a guitar or the line output from an instrument,

connect it to the TRS phone jack.

GND COLD HOT GND HOT

Balanced phone plug Unbalanced phone plug

2. Phantom power switch/LED

This switch supplies +48V phantom power to condenser mics. The

LED will light if +48V power is being supplied. Power is supplied

only to the XLR jack. Turn this off (LED dark) if you’re using a

dynamic mic.

If a condenser mic is connected or disconnected with the phantom power

switch on, damage to your equipment may occur. For this reason, always

turn the phantom power switch off before connecting or disconnecting a

condenser mic.

3. Phase switch

If you are inputting a stereo source from audio equipment in which

the hot and cold pins are wired in reverse, the stereo image may be

unsteady or cancellation may occur. By pressing this switch in,

you can invert the phase of the input signal by 180 degrees to

compensate.

4. Gain trim knob

This knob adjusts the input gain. If the PAD switch is on (pushed in),

the range is +14 – –34 dBu. If the PAD switch is off, the range is –12 –

–60 dBu.

5. Hi-Z switch

This switch changes the impedance level of the TRS phone jack to

high impedance. It is on when the switch is pushed in. Turn this

switch on when connecting a high output impedance device such as

guitar or bass.

6. PAD switch

This switch lowers the level of the input signal by 26 dB. The pad is

on when the switch is pushed in. When a line level input source is

connected, turning the pad on will allow the gain trim knob to have a

wider useful range of adjustment.

7. Compressor mode switch

This switch changes the compressor’s response speed. Use the Fast

setting for short sounds such as drums or percussion, and the Slow

setting (press the switch in) for more sustained sounds, such as

vocals.

8. Low cut switch

This switch activates a 70 Hz –6 dB/oct low cut filter.

Use this to reduce unwanted low-frequency content. The filter is on

when the switch is pressed in.

9. Level meter

The meter shows the audio level. If the needle moves into the red

area above 0 dB, this indicates that digital clipping is occurring.

Set the gain trim knob and the compressor sensitivity knob to prevent

the needle from exceeding 0 dB.

Place the unit horizontally so that the level meters operate correctly.

The level meters indicate the level of the signal before it is sent to the

output level faders.

10. Gain reduction LED

This LED will light when gain reduction is being applied by the

compressor.

11. Compressor sensitivity knob

This specifies the audio level where the compressor begins to kick in.

Turning the knob toward the right will increase the sensitivity, so that

compression will be applied even at low levels.

If you don’t want to apply compression, turn this knob all the way to

the left.

Produktspezifikationen

Marke:	Korg
Kategorie:	Mischer
Modell:	TP-2

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