Ashdown Engineering ABM EVO IV Bedienungsanleitung

Ashdown Engineering Empfänger ABM EVO IV

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Thank you for purchasing your Ashdown Engineering Amplier and welcome to the family!

We really think you’ve made the right choice and know that this amplier will give you years

of great tone and service. It is a machine though and needs to be looked after, please read

through this user manual which will help you get the most out of your new Amp and keep it

running as long as some of our happiest and very famous customers.

Please register this product online so we can make sure we give you years of customer

support through our friendly in-house service centre.

Here is where you need to visit to register your product:

http://www.ashdownmusic.com/register

THANK YOU

VALVE

DRIV E PL US

DYNAMIC

CO MP R ES S IO N

SUB

HARM O N ICS

9 BA ND

EQ UAL IS AT IO N

BASS MIDDLE T REBL EINPUT

INS T RUMEN T

INPUT L EVEL

PU SH F LAT /S HA PE

PAS SI VE/ ACT I VE OU T PU T M UT E OUT PUT S

PRE /P OS T E .Q

MU T E

T UNE R LINE O UT

OUT PUTD.I.

the two sets of sliders interposed between these

controls set in their centre positions and using

only the BASS, MIDDLE and TREBLE controls

to alter the overall tone.

Secondly, if more control is required then the

sliders can also be used to tailor the E.Q. in the

regions between the main tone controls. This

provides a very versatile Equalisation section,

it is simple to understand and operate, yet

provides a wide degree of variation. It retains

the simplicity of a three- control tone section but

provides the exibility of a graphic equaliser.

DYNAMIC COMPRESSION – Adding a small

amount of compression gives a fat bottom end to

the sound and allows a greater volume of ampli-

cation to be used without the playing peaks dis-

torting the ampliers output stage. You will also

nd that this will add denition to your playing

bringing out notes within a run more clearly as it

evens out the dynamics of your playing.

A large amount of compression can be used as

an effect but it will tend to reduce the dynamics

in your playing to such an extent that the volume

of the note will be the same no matter how hard

or soft you hit the string. Compression also adds

sustain to notes making them longer before they

die away.

The Compression Level control adjusts the de-

gree of compression applied to the bass signal.

For this to function correctly the Input Level must

be correctly set as described in the INPUT

CONTROL section (left).

When the Input Level is correctly set there will

be hardly any difference in volume between

Compression IN and Compression OUT. This

is because the amplier automatically com-

pensates for the reduction in level that would

be apparent when Compression is added by

increasing the overall gain to restore the vol-

ume to its pre compression level, because of

this you may notice an increase in background

noise with high compression settings.

COMPRESSION IN/OUT – This push button

switches the Compression IN or OUT. This

function may also be controlled from the Ash-

down 4 way footswitch. For the footswitch to

operate this button must be in its OUT position.

SUB HARMONICS - This section produces

Sub Harmonics an octave below the notes

being played. The level of these Sub Harmon-

ics relative to the straight bass sound can be

adjusted using the LEVEL control.

This is very effective in thickening the sound

and you will nd in use that only a small de-

gree of this lower octave is required to really ll

out the sound and provide a character that is

not possible by any other means.

The degree of Sub Harmonics is also depend-

ant on the setting of the BASS control.

ABM-EVO-IV - Front Panel Facilities

Produktspezifikationen

Marke:	Ashdown Engineering
Kategorie:	Empfänger
Modell:	ABM EVO IV

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