Soundcraft 324 Live Bedienungsanleitung

Soundcraft Nicht kategorisiert 324 Live

Lesen Sie kostenlos die 📖 deutsche Bedienungsanleitung für Soundcraft 324 Live (16 Seiten) in der Kategorie Nicht kategorisiert. Dieser Bedienungsanleitung war für 108 Personen hilfreich und wurde von 2 Benutzern mit durchschnittlich 4.5 Sternen bewertet

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BEYOND 324 LIVE...
http:www.spiritbysoundcraft.com
e-mail: spiritsupport@soundcraft.com
Spirit by Soundcraft™
Harman International Industries Ltd.,
Cranborne House, Cranborne Road,
Potters Bar, Herts EN6 3JN, England.
Tel: +44 (0)1707 665000
Fax: +44 (0)1707 665461
Soundcraft USA
Air Park Business Center 12,
1449 Donelson Pike, Nashville,
TN 37217, USA.
Tel: 800-255-4363
Fax: (615) 360 0273
Part Nº A4: ZL0547 US: ZL0548 02/2000 E&OE
LX7
24 to 40 Input
Live Mixing Consoles
LIVE 42
12 to 40 Channel
4 Group Live Mixing
Consoles
SPIRIT 8
16 to 40 Channel
8-Buss Live Mixing
Consoles
MONITOR 2
24 to 40 Channel
Stage Monitor
Consoles
POWERSTATION
16 & 24 Channel
Powered Live Mixing
Consoles
DIGITAL 328
32 Channel Digital
Mixing Console
A Range of
Professional Nearfield
Monitors
ABSOLUTE
16 Mono Channels
with onboard
Lexicon Effects
FX16
8 Mono Channels
with onboard
Lexicon Effects
FX8
12 Mono &
4 Stereo Inputs
SX
6 or 8 Mono &
4 Stereo Inputs
F1
4 Mono &
2 Stereo Inputs
NOTEPAD
Compact 10 Input
Mixing Console with
2 x 30W power amp
POWERPAD
LIVE 32
Spirit by Soundcraft Registered Community
Trademark / RTM Nº 000557793.
Soundcraft Registered Community Trademark /
RTM Nº 000557827
Spirit 324 Live is part of the extensive
range of Spirit professional audio
equipment. In the studio, on stage and
front-of-house, Spirit designs are
synonymous with versatility, innovation
and sonic excellence.
Since Spirit’s inception in 1991 the Company has forged an unrivalled reputation
designing and manufacturing high quality, low cost live mixing consoles. The
award-winning Folio range has consistently set the standard for all compact mixers,
while the Absolute range of nearfield studio monitors are now employed in some
of the world’s top studios.
Launched in 1998, Spirit's multi-award-winning Digital 328 console revolutionised
digital mixing with a unique, user friendly interface. Digital 324 Live shares and
develops this proven technology, introducing new levels of compact, feature-
packed performance to the live arena.
For details of the complete Spirit range contact your local dealer or visit our
website where you’ll find comprehensive details of every product, including
information on users, downloadable PDF brochures, technical support and user
group information.
8 to 24 Channel
3-Buss Live Mixing
Consoles
32 INPUT LIVE
SOUND DIGITAL
MIXING CONSOLE
16 Mic/Line Inputs plus
16 T-DIF Digital Inputs
AES/EBU and S/PDIF
Input and Outputs
4 Groups; 4 Matrices
Left, Right and
Mono Busses
Automation System
tailored to Live Sound
Comprehensive MIDI
Event List capability
16 MIDI Controllers
on faders
32
324 Live is a compact digital
mixer which addresses the
unique requirements of the
Live Sound reinforcement
engineer. Equally comfortable
touring with a small band,
installed in a Theatre, or
providing vocal reinforcement
in a Place of Worship, 324 Live
is equipped as standard to
handle a wide variety of Sound
Reinforcement tasks.
Based on the proven
technology of the Digital 328
console, 324 Live boasts much
of the standard featureset of
its powerful Project Studio
sibling. However, to reect the
unique requirements of Live
Sound mixing, 324
incorporates a number of
adaptations and new features
designed to assist the Live
Sound operator in creating
the desired mix with the
minimum of fuss.
The compact footprint of the
console belies the power
behind the front panel. With
up to 32 inputs plus 2 stereos,
4 Auxiliary sends, 2 internal
FX units with dedicated sends
and returns, 4 Groups, 4
Matrices, Left/Right and Mono
busses, 324 Live delivers
exceptional flexibility in a
small package.
Brochure conventions
To help you identify or locate
controls and functions on the
control surface and connector fields,
the wording that appears adjacent
to the relevant control or connector
is shown in the text using small
capitals.
For example, a Select control is
shown as SEL.
Abbreviations, such as LED or MIDI,
are shown using full capitals.
AN OVERVIEW OF 324 LIVE
THE KEY TO 324’S OPERATION
In Live Sound, speed of operation is
everything. The unpredictable nature
of Live Sound - variations in the
performances on stage, the fluctuating
audience size, problem microphones -
demands that any piece of Live Sound
mixing equipment offers fast and
intuitive control over its featureset.
At the heart of the operation of 324
Live is the E-Strip - a concept inherited
from the 328. The E-Strip is essentially
a conventional channel strip, turned
through 90 degrees so that it sits
horizontally in the console rather than
vertically.
This allows the strip to perform two
key functions: it offers a conventional
complete channel strip for any
selected channel, or a view of one
function across a number of channels.
It is this flexibility that allows the
audio parameters of 324 Live to be
viewed and edited with minimal fuss.
Checking for the cause of a hot send
to an FX device, for example, is as
simple as selecting the appropriate
Aux to be viewed on the E-Strip, and
identifying the channel with the
excessive send level. Viewing the
complete EQ for a microphone input
can be achieved with a single press of
the appropriate Select switch.
AUTOMATION
Why use Snapshot
Automation Live?
During almost any
performance, the
nature of Live
performers and Live
performance spaces
requires that the user
make adjustments to the
console settings to compensate for the
changing situation.
In addition to this, the user is often
required to make fast and accurate
predetermined changes to EQ, Levels,
Routing and Aux sends, which need to
happen regardless of the variance in
performance. This is where automation
comes in. With just a small amount of
preparation time, an operator can
program in a number of different
console settings (“snapshots”), and
then step between these with a single
button press. This means that the user
is now free to concentrate on the
business of mixing the performance,
rather than trying to remember which
switch presses have to be made at the
end of the next song.
However, there can be problems with
Live automation - if the performance
deviates radically from the planned
material, then the settings
programmed into some channels for
upcoming scenes may well be highly
inappropriate. At this point, the user
needs a way of quickly removing just a
FEW channels from the snapshot
system, while keeping the bulk of the
console under
automated control.
This need gave
rise to the
ISO(late)
switch,
present
on all
Input channels. Pressing the ISO switch
protects that channel from the
Automation system, but still allows full
manual access by the user.
MUTING
In addition to manual MUTE control,
324 Live offers 4 Mute groups.
Assigning input channels to a Mute
Group will result in all those channels
being Muted when the Mute Group
Master is Muted. This is particularly
helpful when rehearsing, as it allows
Muting of similar channel types - e.g.
Radio mics, Keyboards, or Drums -
with a single keypress.
MIDI
As well as console audio parameters,
324 Live is capable of sending MIDI
information when a cue is recalled.
The user may define a number of MIDI
events to occur with each cue
(choosing from Note ON, Note OFF, or
Program Change).
MIDI is extremely useful for triggering
external sound FX (via Note ON sent to
a MIDI Sampler), or for setting up the
desired FX Patches in external FX
devices (via Program Changes sent to
the remote device).
Of course, when the snapshot
containing MIDI is recalled, the console
audio parameters are also recalled
from memory. This means that a
Sound Effect triggered by a cue can be
routed, processed via the two Lexicon
FX, subgrouped and routed to a matrix
in one cue, then be processed
completely differently in the next.
The console will also respond to
incoming MIDI Program Change data,
which is mapped to Snapshot recall.
SECURITY
It is often necessary for a single
operator of a Live console to leave the
desk unattended in a venue at certain
points during setup, and
before the show. During that time, the
temptation of so many controls can
occasionally prove too much for
audience members, and the carefully-
prepared mix can be quickly undone.
To help prevent unauthorised use of
the desk, 324 Live employs a Security
function, enabled with the LOCK key
adjacent to the CUE LED display.
Various levels of lockout are offered,
from OFF (nothing locked), through
combinations of faders, automation,
and switches, to ALL (every function
locked out).
A permanent lockout could be counter-
productive, so the console may be
unlocked either with the appropriate
keystroke, or by powering down, then
repowering the console, so an
operator can always regain complete
control of any 324 Live should the
need arise.
MATRICES
324 Live offers 4 Matrix outputs on
dedicated balanced XLR connectors.
These additional outputs are most
commonly employed as sends to
individual speaker positions in a
distributed system, allowing the
operator to feed a specified
amount of the Group 1-4,
Left/Right and Mono buss signals
into each Matrix output.
This can be particularly useful
when trying to improve vocal
intelligibility in a room, as the
operator can increase the balance
of Vocals against Music in certain
parts of the room without aecting
the Main mix.

Produktspezifikationen

Marke: Soundcraft
Kategorie: Nicht kategorisiert
Modell: 324 Live

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