Soma Enner Bedienungsanleitung
Soma
Synthesizer
Enner
Lesen Sie kostenlos die 📖 deutsche Bedienungsanleitung für Soma Enner (3 Seiten) in der Kategorie Synthesizer. Dieser Bedienungsanleitung war für 7 Personen hilfreich und wurde von 2 Benutzern mit durchschnittlich 4.5 Sternen bewertet
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![](https://manualstech.ams3.cdn.digitaloceanspaces.com/html/nl/soma/enner/html/bg1.png)
as well as separate outputs. Sliding on
the filters’ pads with your fingers you
can create arich stereo image where
each channel may have not only indivi-
dual volume properties but also timbral
ones. The outputs of the filters are mi-
xed together and connected to the main
output. Also in the triangle, you have
astereo direct input (DIR) that lets you
bypass the filters.
2. The modulated stereo delay. The in-
put of the delay is the two pads on the
top of the triangle (DLY blue). The out-
put of the delay is mixed with filter out-
put and connected to the main output.
Also, you have delay output connected
to the pads placed on the left and right
sides from the top of the triangle (DLY
orange) that lets you create feedback
and other interesting effects. The delay
has two separate lines (left and right)
with individual TIME controls (ВРЕМЯ
pots), common FEEDBACK and the
common pot that defines the amount
of self-modulation (BIZZARE). The
ВРЕМЯ pots are also touch inputs for
delay time modulation.
3. On the right side of ENNER, there is
afive-voice synthesizer with individual
adjustment of frequency for each voice
(TUNE knobs) with the possibility to
change the pitch of all voices simulta-
neously (PITCH knob). TUNE knobs are
also the outputs of the voices, so by
touching them you can patch the voices
to the filter’s inputs. The synthesizer
has separate output pads for each voice
(pads OUT 1–5), individual modulation
inputs (MOD 1–5) and ring modulation
outputs (the RING 12, 23, 34 numbers
indicate which voices are sources for
the ring modulation). Connecting MOD
and OUT pads of one voice with your
fingers will pitch it up. The fifth voice
has an additional modulation pad MOD
5 — which can shift the pitch of the fifth
voice down (connect it to +12 pad or
any pad that has some positive signal
including the output of the fifth voice).
4. On the left side of ENNER, there is
the second synth that has one master
generator, the output of which is di-
vided six times by two with individual
outputs for each stage of division (PUL-
SE 1–6). This synth is aimed at creating
rhythmical clicks, basses and octave
tones. The frequency of the master ge-
nerator is defined by the TEMPO knob.
The output pads &1,2,3 are logical mul-
tiplications of different PULSE outputs
giving additional and more complex
rhythm combinations.
5. ENNER is also an electro- acoustic
noise instrument. It has apiezo pickup
attached to the front panel that captu-
res sound from the casing itself. There
is metallic spring and you can attach
rubber bands to the panel to crea-
te various acoustic sounds. The piezo
mic can capture clicks and scratches
you make with your fingers, and it also
allows you to create filtered feedback.
Not only that, it can even capture
your voice singing over the panel! To
get sound from the piezo you have to
connect the PIEZO OUT pad with some
filters or delay inputs. Applying filters
and delay on the piezo out while the
panel works as amic, catching the au-
dio signal from the speakers connected
to the ENNER output lets you create
very cool acoustic feedback- based ef-
fects. PIEZO GAIN adjusts the piezo
sensitivity.
6. The bottom of the triangle (NOISE
pad) is the output of static pink noise.
ENNER is avery expressive sound tool
that can generate bits, pads, FX, noi-
ses, clicks, glitches, but also function as
acool vocal mic with built-in analog FX
and much more! Amusician with arich
imagination and who’s experienced in
playing ENNER can perform an entire
exciting gig using just this synth.
As an instrument, ENNER is aunique
analog synthesizer with the key prin-
ciple being that all signals that make
sound pass through and are managed
by your body. Your hands become the
central part of the circuitry. Touching
different contact pads with different
parts of your fingers and palms with
different amounts of pressure, letting
signals pass through your body defines
the mixing, volume, timbre, feedback
and other parameters of synthesis. Hu-
man skin has much more complex elec-
tric properties than we think. Our skin
provides not just resistance but also
some capacitive properties and even
nonlinear dependence of conductivity
from current, its direction and time du-
ring which the current was applied. All
of this affects the sound, making you
the key part of the synthesis process.
All pots of ENNER are metallic and also
function as inputs or outputs. Touching
apot can change not only the parame-
ters but also patch the audio signals.
ENNER consist of:
1. The array of filters with fixed frequency
properties (the triangle in the center):
the stereo high pass filter (HPF), the ste-
reo bandpass filter (high mid
—
BPFH),
the stereo bandpass filter (low mid
—
BPFL), the stereo lowpass filter (LPF).
Stereo means that the filters have se-
parate inputs for left and right channels
USER
MANUAL
![](https://manualstech.ams3.cdn.digitaloceanspaces.com/html/nl/soma/enner/html/bg2.png)
7. External in (EXT socket and EXT pad)
lets you send an external audio signal
to ENNER and process it through the
array of filters, delay and other ENNER
stuff.
All of these features make ENNER
a simple yet powerful kit of sound
sources and FX that give you arich and
diverse sound palette with many pos-
sible playing techniques that you can
change very fast as there is no other
control over the sound other than your
touches.
ENNER was inspired by and developed
together with Danish sound- artist SiS-
TOR (Dalin Waldo). She created the de-
sign of the front panel (pads layout and
handwritten inscriptions) and she came
up with the name ENNER.
Dalin Waldo
DISCLAIMER
1. ENNER is a body-patching synth. It
means that some weak current flows
through your body. The voltage applied
on the pads does not exceed 12 volts
and is absolutely safe for humans and
animals. It is just slightly more than
the voltage in the PP3, E-Block battery
that’s typically used in children’s toys.
For the majority of people, it doesn’t
cause any sensations in their fingers,
except for some subtle ones that may
happen in some patches. We consider
these sensations to be a normal side
effect, just like playing guitar can cause
calluses on your fingertips. However,
some people can be more sensitive to
electricity and may experience unplea-
sant sensations while playing ENNER.
Please note that we don’t accept the
experiences of sensitive users as a
case of faulty hardware or warranty
case. If you are one of the exceptio-
nally sensitive people out there, per-
haps a body-patching synth is not a
good choice for you. Please consider
this when making your decision about
purchase. Also, if you have a cardio-
stimulator or similar medical device
installed in your body, please consult
with your doctor before buying and
using ENNER!
2. ENNER uses pots shafts as additi-
onal contacts for patching. This is not
a standard usage of pot construction
and is designed without a guarantee
of constant and good contact between
pot shaft and pot body where the si-
gnal is connected. So during the ro-
tation of the pots some crackles may
happen once in a while if you use the
pot as a sound output at the same
time. As this function is experimental
we don’t accept the presence of such
crackles as a reason to consider your
unit faulty and open a warranty case.
Also, several turns of the pot back and
forth usually makes the contact good
again. Bottomline, this is an experi-
mental function and an unusual usage
of pot construction, so we hope for
your understanding when it comes to
the pots’ performance and the unique
functionality our innovative approach
offers.
3. ENNER uses a PCB as the top pa-
nel. The PCBs are produced in an
electronics factory using standard
production procedures. Due to this,
the PCBs may have minor scratches
and marks inherent to the manufac-
turing process. Such small defects will
be almost invisible in most cases wi-
thout a close inspection and will not
be accepted as a reason for return or
exchange of the product! Obviously,
we discard all seriously damaged or
defective PCBs and don’t use them
for Enner.
4. As all audio signals in ENNER flow
through your body, some weak hum
and interferences are always present
in the audio output even with a good
grounding. However, if the grounding
is done properly this hum will not be
audible in a real performance (you can
check its level in this video). Such a
weak hum that you can hear touching
ENNER inputs doesn’t mean that your
unit is faulty and is not a case for war-
ranty repair or replacement
WHAT’S IN THE KIT
1. ENNER
2. 12V center plus PSU
3. Several rubber bands
ENNER will be available in two colours:
black and red. Please see the pictures
on the top of the DESCRIPTION page.
RUBBER BANDS
As ENNER is also an electro-acoustic
instrument it has several points for
attaching things that can make sound.
Something nice and cheap that works
fine here is a normal rubber band for
banknotes that you can get in any sta-
tionary shop.
Using several rubber bands you can
make a funny rubber harp.
![](https://manualstech.ams3.cdn.digitaloceanspaces.com/html/nl/soma/enner/html/bg3.png)
Array of filters
Pads DIR
—
direct input (nofilters)
Pads HPF
—
highpass filter in
Pads BPFH
—
bandpass filter
high mid in
Pads BPFL
—
bandpass filter low mid in
Pads LPF
—
lowpass filter in
(L–
left channel, R
—
right channel)
Pink noise generator
NOISE
—
noise output
Delay
Pads DLY
(blue)
—
delay in
Pads DLY
(orange)
—
delay out
(L–
left channel, R
—
right channel)
Pots ВРЕМЯ
—
delay time (Land R)
also time modulation inputs
The UROBOROS pot
—
feedback (both
channels)
Pot BIZZARE
—
delay self-modulation
Piezo
Pad PIEZO OUT
—
the output
Pot PIEZO GAIN
—
piezo amplification
(also piezo output)
The five-voice synth
Pads OUT 1–5
—
outputs
of the voices
Pads MOD 1–5
—
modulation inputs
of the voices (try to connect them
with OUT)
Pads RING 12, 23, 34
—
outputs
of ring modulators that multiply
outputs of different voices
Pad MOD 5
—
an additional modula-
tion input for the fifth voice (try to
connect it with +12)
Pots TUNE 1–5
—
frequency of the
voices (also voices outputs)
Pot PITCH
—
transposing all voices
atonce.
Rhythm/Bass synth
Pads PULSE 1–6 —
output of binary
dividers
Pads &1, 2, 3 —
additional outputs
that are logical AND of different
PULSE outputs.
Pot TEMPO
—
the frequency of the
source generator
External
Socket EXT
—
external in
Pad EXT
—
connected to EXT socket
tip
Power
+12V center + 0.2A. ENNER requires
agood stabilized and filtered PSU. We
recommend contemporary switching
mode PSUs with awide input range.
The PSU is included.
Grounding
In order that when playing on ENNER
there would be no hum from the elec-
tricity grid interferences, the device
must be properly grounded! Anormal
grounding connection at the electric
socket, which is carried through the
power cord to your audio equipment
to which the ENNER is connected, is
sufficient.
FEEDBACK
TIME MOD
GND
GND
GND
OUT 5
OUT 3
OUT 1
OUT 2
OUT 4
EXT
AUDIO IN AUDIO OUT MODULATION IN MODULATION IN
/ AUDIO OUT POT SOCKET
TO GET SOME SOUND CONNECT SOMETHING FROM AND BY FINGERSTHIS THIS
EXT
TIME MOD
PITCH MOD
PULSE 1
PULSE 3
PULSE 2
TEMPO
TEMPO
TEMPO MOD
PULSE 5
PULSE 4
DIR-L DIR-R
PULSE 6
& 3
& 2 & 1
PIEZO OUT
+ 12 V
MOD 5
MOD 5-
RING 34
RING 23
RING 12
OUT 5
OUT 4
OUT 3
OUT 2
OUT 1
MOD 4
MOD 3
MOD 2
MOD 1
VOLUME
OUT-L
TUNE 5
TUNE 4
TUNE 3
TUNE 2
PITCH
TUNE 1
OUT-L
POWER
DLY R
DLY R
DLY L
DLY L
PIEZO OUT
PIEZO GAIN
HPF-L HPF-R
BPFH-L BPFH-R
BPFL-L BPFL-R
LPF-L LPF-R
NOISE
Produktspezifikationen
Marke: | Soma |
Kategorie: | Synthesizer |
Modell: | Enner |
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