Phoenix Audio Ascent Two Bedienungsanleitung
Phoenix Audio
Receiver
Ascent Two
Lesen Sie kostenlos die đź“– deutsche Bedienungsanleitung fĂĽr Phoenix Audio Ascent Two (6 Seiten) in der Kategorie Receiver. Dieser Bedienungsanleitung war fĂĽr 2 Personen hilfreich und wurde von 2 Benutzern mit durchschnittlich 4.5 Sternen bewertet
Seite 1/6
PHOENIX AUDIO
Costa Mesa
CA 92626
USA
Telephone +1 866 302 1091
Email : sales@phoenixaudio.net
Owner’s Manual
Firstly, let us congratulate you on your purchase of the Ascent Two EQ Microphone Pre-
Amplifier/DI/Eq. The Ascent Two EQ is a 4 Band Gyratory-based Eq with 12 selectable
frequencies, and Mic, Line, and DI inputs We know you will be as pleased with it’s sonic
qualities as we are.
You are now the proud owner of a Mic-pre/DI/Eq that has the advantages of more than 25
years experience in audio engineering, today’s component and manufacturing technology, but
still retaining “that sound” uniquely achievable through Class A design.
As you can tell, Phoenix Audio is dedicated to the development of Class A discrete
technology used within high build-quality equipment.
The Ascent Two EQ uses our well proven and loved Class A output stage (DSOP-2), but
also has our latest breakthrough in transformer-less Class A, Discrete, truly-balanced
Mic Input Technology which gives a "valve-like" sound. It also incorporates our high
input impedance DI circuitry.
You CAN hear the difference!!!
Ascent Two EQ Specifications
1U rack space unit: With 240V/110V mains voltage input selector switch
Class A (DSOP- Frequency response: 20Hz to 20kHz +- 0.5dB, 2) Output specs.
Maximum Output Level: +26dBu @ 1kHz
Noise: -90dB @ 20Hz to 20kHz.
Output connections: XLR and TSR 1/4" Jack on rear
Phoenix Audio’s unique Class A, transformer-less, True balanced Mic input stage.
Microphon XLR on Rear Panele/Line input:
DI inputs: ¼” TSR Jack on Front Panel
Individual Earth Lift: -button SwitchesPush
Gain Range (Mic input): -30 to -70 in 5dB steps With 10dB more available on the fader.
Gain reduction: -15dB pad push-button Mic/Line switch (Mic input)
High Input Impedance DI: Mono 1/4" Jack on front panel (no FETs)
Gain Meter: LED Metering. (Green = 0dB, Yellow = +8dB, corresponding to “4” and “6”
on a PPM Meter).
Phantom Power: Switchable phantom on Push-button Switch
High Pass Filter: -off starts at 80Hz @ 6dB per Octave.Roll
Phase Reverse: on Push-button Switch
Frequency Response Mic Input Stage: -0.4dB @ 40Hz, -0.3dB @ 25kHz
Frequency Response: DI Input Stage: -0.3dB @ 40Hz, - 0.5dB @ 25kHz
Typical Headroom: +26dB on Mic-Pre stage
Gyratory-based EQ Frequency Centres: (4 Bands) High – 25K (Sheen) 15K, 10K, Hi
Mid - 6K, 3K, 1K6, Low Mid – 800Hz, 400Hz, 200Hz, Low - 130Hz, 80Hz, 40Hz
EQ Cut/Boost Levels: 16dB Cut/Boost Per Band with fully detented pots in 21 positions
DI Stage gain: Maximum of 30dB gain range
CONNECTIONS AND CONTROLS
Front Panel
Rotary Gain Sensitivity Switch: The sensitivity switch operates in both Mic and Line Mode. For Microphone
mode the switch’s gain range is marked from -30dB to -70dB. When the switch is pressed in the sensitivity Pad
of the gain control is -15dB lower than the marked gain.
Output Level Rotary knob: The Output level knob controls the level at the output XLR on the rear panel only.
It does not affect the input sensitivity.
Level LED’s: The LED’s are marked 0 (Green) and +8 (Red). These are set to illuminate at 0dB and +8dB
(Corresponding to 4 and 6 on a PPM Meter). The LED’s are PPM style metering and have some hysteresis to
allow a better view of fast changing levels.
These LED’s are connected to the OUTPUT stage of the unit to give you a clear view of what level is being sent
to external equipment.
DI Input ” Jack socket: ¼The Jack socket is a TS socket wired Tip-Hot, Sleeve-Cold. The DI input is a high
input impedance circuit (without the use of FETs), and is capable of accepting a wide range of instruments, from
keyboards to guitars and more.
EQL Push Button: Engages the Gyratory Based Eq circuit when depressed.
DI Push Button: Disconnects the Input XLR and engages the DI Jack on the front panel.
HPF Push Button: Engages the High Pass Filter. The filter is active regardless of which input is being used.
Phase Push Button: Reverses the Phase of the Input XLR only.
+48V Push Button: Applies 48V Phantom Power to the Input XLR. The phantom power will be applied to the
XLR in both Mic and Line mode.
Mic/Line Pad Push Button: Switches the Input XLR between Mic/Line and a 15db lower level (depressed)
mode and is always lit orange.
Earth Lift Push Button: Disconnects internal 0v from the chassis earth. This is for use when using
microphones with their own PSU, or can be useful in situations where hum is being created by an earth loop.
This push-button does not disconnect the chassis safety earth from the mains earth.
REAR PANEL
Mic Input XLR: This XLR accepts both Microphone and Line level inputs. These can be balanced or
unbalanced inputs.
Output XLR: Transformer balanced output. Can be used at the same time as the Output ” TRS Jack¼, as long
as total loading does not exceed 200R.
INPUT and OUTPUT connections:
The Ascent Two EQ is fitted with an XLR input on the rear panel. The XLR's are industry-standard Pin 1 -
Ground, Pin 2 - - Cold. Hot, Pin 3
The DI input is a standard 1/4" (6.35mm) mono jack socket (wired Standard - -hot, Sleeve-Ground) Tip
The Output of the unit is on the rear of the unit and is available on both a 3 Pin XLR (wired as the input XLR),
and a Stereo 1/4" (6.35mm) Jack socket (wired Tip-Hot, Ring-Cold, Sleeve-Ground). The outputs are wired in
parallel.
Produktspezifikationen
Marke: | Phoenix Audio |
Kategorie: | Receiver |
Modell: | Ascent Two |
Brauchst du Hilfe?
Wenn Sie Hilfe mit Phoenix Audio Ascent Two benötigen, stellen Sie unten eine Frage und andere Benutzer werden Ihnen antworten
Bedienungsanleitung Receiver Phoenix Audio
17 August 2024
Bedienungsanleitung Receiver
- Receiver Asus
- Receiver Exibel
- Receiver Hama
- Receiver Audio-Technica
- Receiver LogiLink
- Receiver Logitech
- Receiver Manhattan
- Receiver Nedis
- Receiver Philips
- Receiver Sandberg
- Receiver Sony
- Receiver Roland
- Receiver MX Onda
- Receiver Bosch
- Receiver Vox
- Receiver TechniSat
- Receiver Yamaha
- Receiver Velleman
- Receiver CSL
- Receiver Alecto
- Receiver Denver
- Receiver EMOS
- Receiver König
- Receiver MarQuant
- Receiver Renkforce
- Receiver Bush
- Receiver Thomson
- Receiver Blaupunkt
- Receiver Kenwood
- Receiver Sharp
- Receiver Hilti
- Receiver Pyle
- Receiver Golden Age Project
- Receiver Aiwa
- Receiver AKG
- Receiver Auna
- Receiver Bose
- Receiver Bowers And Wilkins
- Receiver Caliber
- Receiver Maxview
- Receiver Denon
- Receiver Pioneer
- Receiver Jabra
- Receiver JBL
- Receiver JVC
- Receiver Klipsch
- Receiver Motorola
- Receiver Onkyo
- Receiver Sennheiser
- Receiver Shure
- Receiver Technics
- Receiver Vivanco
- Receiver Hifonics
- Receiver Megasat
- Receiver Smartwares
- Receiver Akai
- Receiver Dual
- Receiver Ferguson
- Receiver GoGEN
- Receiver Orava
- Receiver Strong
- Receiver Tascam
- Receiver Zoom
- Receiver Garmin
- Receiver Nexa
- Receiver Goobay
- Receiver Lindy
- Receiver Plantronics
- Receiver Fenton
- Receiver TOA
- Receiver Rotel
- Receiver Musway
- Receiver Tripp Lite
- Receiver Audio Pro
- Receiver Cabasse
- Receiver Harman Kardon
- Receiver Magnat
- Receiver Marmitek
- Receiver Marshall
- Receiver Naim
- Receiver Power Dynamics
- Receiver Samson
- Receiver Scosche
- Receiver Skytec
- Receiver Vonyx
- Receiver Peavey
- Receiver Marshall Electronics
- Receiver Sagem
- Receiver Simrad
- Receiver AVM
- Receiver Xoro
- Receiver Karma
- Receiver Reely
- Receiver Edision
- Receiver GigaBlue
- Receiver Humax
- Receiver Kathrein
- Receiver Metronic
- Receiver Xtrend
- Receiver Icom
- Receiver Alpine
- Receiver Rupert Neve Designs
- Receiver NAD
- Receiver Fender
- Receiver Renegade
- Receiver Ebode
- Receiver Vincent
- Receiver Vision
- Receiver Behringer
- Receiver Mackie
- Receiver Omnitronic
- Receiver MB Quart
- Receiver Marantz
- Receiver Monoprice
- Receiver Arcam
- Receiver Cambridge
- Receiver Crown
- Receiver Dynacord
- Receiver Ecler
- Receiver Luxman
- Receiver Monacor
- Receiver Rockford Fosgate
- Receiver TEAC
- Receiver Thorens
- Receiver Crunch
- Receiver Chamberlain
- Receiver JUNG
- Receiver Aplic
- Receiver InLine
- Receiver Sangean
- Receiver Classé
- Receiver Optex
- Receiver Sherwood
- Receiver Jamo
- Receiver AXTON
- Receiver Clarion
- Receiver Mac Audio
- Receiver Kogan
- Receiver Humantechnik
- Receiver Skytronic
- Receiver Yaesu
- Receiver Audizio
- Receiver ESX
- Receiver Reloop
- Receiver Pinnacle
- Receiver Block
- Receiver Rega
- Receiver SYNQ
- Receiver Insignia
- Receiver DataVideo
- Receiver RCF
- Receiver Electro-Voice
- Receiver Cyrus
- Receiver Scansonic
- Receiver Sogo
- Receiver Delta Dore
- Receiver Salus
- Receiver Yorkville
- Receiver Elektrobock
- Receiver FiiO
- Receiver Boss
- Receiver IFM
- Receiver American Audio
- Receiver Anthem
- Receiver Roksan
- Receiver Engel Axil
- Receiver Alto
- Receiver Kopul
- Receiver Chord
- Receiver Kramer
- Receiver Hertz
- Receiver Pro-Ject
- Receiver Aeon Labs
- Receiver Vaddio
- Receiver Galaxy Audio
- Receiver HQ Power
- Receiver Ibiza Sound
- Receiver Kicker
- Receiver Warm Audio
- Receiver Polk
- Receiver Line 6
- Receiver Bogen
- Receiver DBX
- Receiver McIntosh
- Receiver Sonance
- Receiver Jensen
- Receiver JL Audio
- Receiver Pyle Pro
- Receiver PreSonus
- Receiver Qtx
- Receiver Hartke
- Receiver ART
- Receiver Deaf Bonce
- Receiver Fredenstein
- Receiver LD Systems
- Receiver RDL
- Receiver Audiolab
- Receiver Summit Audio
- Receiver Black Lion Audio
- Receiver Dreambox
- Receiver Bluesound
- Receiver GlobalSat
- Receiver Chandler
- Receiver DAP
- Receiver DAP Audio
- Receiver Denson
- Receiver DLS
- Receiver Focal
- Receiver Focusrite
- Receiver Formuler
- Receiver Fusion
- Receiver Graupner
- Receiver Ground Zero
- Receiver Helix
- Receiver Homecast
- Receiver Infinity
- Receiver JB Systems
- Receiver Koda
- Receiver Lanzar
- Receiver Legamaster
- Receiver Mercury
- Receiver Monitor Audio
- Receiver Mtx Audio
- Receiver Phoenix Gold
- Receiver REL Acoustics
- Receiver Selfsat
- Receiver Soundstream
- Receiver Steren
- Receiver Sunstech
- Receiver Terratec
- Receiver AMX
- Receiver Triax
- Receiver Velodyne
- Receiver Wharfedale
- Receiver Xsarius
- Receiver Zgemma
- Receiver Universal Audio
- Receiver Phonic
- Receiver Epcom
- Receiver Adastra
- Receiver Siig
- Receiver Amiko
- Receiver Mooer
- Receiver AudioControl
- Receiver MXL
- Receiver TV One
- Receiver StarTech.com
- Receiver Blackstar
- Receiver Smart-AVI
- Receiver QSC
- Receiver RetroSound
- Receiver Dahua Technology
- Receiver Proel
- Receiver Niles
- Receiver Martin Logan
- Receiver Metra
- Receiver Kanto
- Receiver Sound Devices
- Receiver Speco Technologies
- Receiver IFi Audio
- Receiver Gefen
- Receiver Polsen
- Receiver Russound
- Receiver Vocopro
- Receiver SRS
- Receiver Astell&Kern
- Receiver IMG Stage Line
- Receiver Inovonics
- Receiver Mosconi
- Receiver Atlas Sound
- Receiver FBT
- Receiver CYP
- Receiver Amplicom
- Receiver Palmer
- Receiver Ampeg
- Receiver Avalon
- Receiver Audient
- Receiver Bang Olufsen
- Receiver Lectrosonics
- Receiver ATen
- Receiver Eventide
- Receiver Laney
- Receiver SVS
- Receiver KanexPro
- Receiver Citronic
- Receiver Crest Audio
- Receiver Lab Gruppen
- Receiver SPL
- Receiver Parasound
- Receiver Apantac
- Receiver Brigmton
- Receiver MEE Audio
- Receiver Wet Sounds
- Receiver Pyramid
- Receiver Stewart
- Receiver Black Hydra
- Receiver Linn
- Receiver Roswell
- Receiver Music Hall
- Receiver Audac
- Receiver OSD Audio
- Receiver Match
- Receiver Audioengine
- Receiver Neets
- Receiver EA
- Receiver BZBGear
- Receiver Crestron
- Receiver PSSO
- Receiver HiFi ROSE
- Receiver Accell
- Receiver Ibanez
- Receiver Antelope Audio
- Receiver Pharos
- Receiver Kemo
- Receiver Audix
- Receiver Avantree
- Receiver PSB
- Receiver Extron
- Receiver Atlona
- Receiver Comtek
- Receiver JTS
- Receiver Redline
- Receiver Grace Design
- Receiver Ashdown Engineering
- Receiver Ram Audio
- Receiver Esoteric
- Receiver Xantech
- Receiver Wavtech
- Receiver Artsound
- Receiver Rolls
- Receiver Sonifex
- Receiver Advance Acoustic
- Receiver Kali Audio
- Receiver Leviton
- Receiver Revel
- Receiver WyreStorm
- Receiver Wireless Solution
- Receiver Manley
- Receiver Klark Teknik
- Receiver AVMATRIX
- Receiver Alfatron
- Receiver Mark Levinson
- Receiver CAD Audio
- Receiver Key Digital
- Receiver Sound Ordnance
- Receiver Majestic
- Receiver Ocean Matrix
- Receiver Markbass
- Receiver AmpliVox
- Receiver LEA
- Receiver Memphis Audio
- Receiver FiveO
- Receiver Televes
- Receiver Aquatic AV
- Receiver Ashly
- Receiver Fishman
- Receiver AVPro Edge
- Receiver Integra
- Receiver Blustream
- Receiver CyberData Systems
- Receiver Williams Sound
- Receiver JETI
- Receiver SureCall
- Receiver WesAudio
- Receiver ANKARO
- Receiver NUVO
- Receiver Audiofrog
- Receiver Canyon
- Receiver Trace Elliot
- Receiver The T.amp
- Receiver Knoll
- Receiver MuxLab
- Receiver Hegel
- Receiver Triangle
- Receiver Whirlwind
- Receiver Camille Bauer
- Receiver Hughes & Kettner
- Receiver Dimavery
- Receiver Palsonic
- Receiver Musical Fidelity
- Receiver Rexing
- Receiver A-NeuVideo
- Receiver Crest
- Receiver Cranborne Audio
- Receiver Primare
- Receiver C2G
- Receiver Fosi Audio
- Receiver S.M.S.L
- Receiver Aurel
- Receiver Advance
- Receiver AEA
- Receiver TechLogix Networx
- Receiver CE Labs
- Receiver Gold Note
- Receiver Audiotec Fischer
- Receiver Sinus Live
- Receiver Shinybow
- Receiver Shanling
- Receiver Fontastic
- Receiver BC Acoustique
- Receiver NuPrime
- Receiver Creek
- Receiver Valcom
- Receiver Intelix
- Receiver Madison
- Receiver Topp Pro
- Receiver Whistler
- Receiver Powersoft
- Receiver LinksPoint
- Receiver Modelcraft
- Receiver Simaudio
- Receiver TIC
- Receiver Mobile Crossing
- Receiver FSR
- Receiver Edwards Signaling
- Receiver Lyngdorf
- Receiver AudioSource
- Receiver Leema
- Receiver Quad
- Receiver IOTAVX
- Receiver Inter-M
- Receiver Soundtrack
- Receiver Canor
- Receiver Unison Research
- Receiver Clare Controls
- Receiver Loxjie
- Receiver Cayin
- Receiver Technical Pro
- Receiver VMV
- Receiver Bellari
- Receiver Comprehensive
- Receiver PureLink
- Receiver FoneStar
- Receiver Glemm
Neueste Bedienungsanleitung fĂĽr -Kategorien-
6 Oktober 2024
5 Oktober 2024
5 Oktober 2024
5 Oktober 2024
5 Oktober 2024
5 Oktober 2024
5 Oktober 2024
4 Oktober 2024
4 Oktober 2024
4 Oktober 2024