BASSBOSS CCM12-MK3 Bedienungsanleitung

BASSBOSS Lautsprecher CCM12-MK3

Lesen Sie kostenlos die 📖 deutsche Bedienungsanleitung für BASSBOSS CCM12-MK3 (14 Seiten) in der Kategorie Lautsprecher. Dieser Bedienungsanleitung war für 6 Personen hilfreich und wurde von 2 Benutzern mit durchschnittlich 4.5 Sternen bewertet

Download PDF

Seite 1/14

Single 12”

Powered Monitor

CCM12-MK3

User ManUal

CCM12-MK3 User Manual

Table of Contents

Overview 2

QuickStartGuide 4

OutboardProcessorWarning 5

SetupProcedure 5

OperationandControls 6

IndicatorLEDs 6

HowtoUsethePresets 7

Pre-InstalledOnboardPresets 8

PowerDistribution 9

Troubleshooting 9

Specifications 10

Warranty 11

SafetyInformation 12

ImportantNotes 13

FCCComplianceNotice 13

Overview

The CCM12-MK3 is a Compact Coaxial Monitor with a host of features intended for professional

performers which also functions as an excellent main or fill monitor for venues with limited space.

C = Compact - Small footprint, small frontal area, lightweight. The front of the cabinet is 50% smaller

than most 12” monitors that have a separate tweeter horn. This takes up less space on stage, and

anywhere else you might want the power of a 12” 2-way monitor. The driver features a Neodymium motor

and the class D amplifier has a lightweight, switch-mode power supply. The cabinet is Birch plywood,

which is heavier than plastic, but the strength of the wood allows the cabinet to be made smaller, and

sound better.

C = Co-Axial - Absolutely consistent coverage pattern, highly resistant to feedback. This co-axial driver

delivers an 80-degree conical coverage pattern that is consistent o-axis. The advantage to this is

two-fold. First, the consistency allows the performer or listener the freedom to move around within the

Single 12”

Powered Monitor

CCM12-MK3

Estemanualestádisponibleenespañolennuestrositiowebenbassboss.com/support

bassboss.com

pattern without the character of the sound changing. Conventional 2-way monitors have the tweeter

above, to the side or below the woofer. This results in a dierent frequency response as you move left

to right or forward and back. It’s much more diicult to prevent conventional monitors from feeding

back because the response peaks change in frequency as you move through their inconsistent patterns,

leaving you chasing feedback every time a mic moves. A Co-axial is far more consistent no matter where

you move, which is better for performers and audiences alike. Aside from delivering a more consistent

and intelligible sound field, perhaps the biggest advantage of the consistency of the symmetrical pattern

co-axial monitor is its relative immunity to feedback.

M = Monitor - 3 dierent upward angles plus straight ahead - and - fly-points and brackets for ceiling

and wall mounting. It has 3 dierent upward angles. The first angle is set up for standing performers who

like their monitors at their feet. We’re thinking about vocalists, with or without instruments, who need

clear monitors when they step up to the mic and appreciate being able to step back out of the monitor

coverage when they want to. The second angle is for seated performers that need the monitor to be

aimed a little lower. Whether playing keyboards, drums or slide-guitar, the monitor should be pointed at

your head, not over your head. This lower angle can also be used to cover a larger area farther from the

monitors, such as for a choir, background vocalists or a horn section. The third angle is for placement

on a subwoofer or a table. Here we’re thinking about drummers who would want the monitor on a sub,

of course, or anyone who works with electronics on a table, and wants near-field monitors they can put

on their work surface and actually aim them in the right direction. There’s one more placement angle for

the CCM to be used as a monitor and that’s straight ahead. The CCM has a pole socket that allows it to

be used on a stick above a sub, or on a tripod, for DJ monitors or stage side-fills. While it’s not strictly a

“monitor” position, the CCM can also be used as a front-fill on the stage edge or on that center-cluster

subwoofer array. And when you need a monitor mounted to the wall or to the ceiling, the CCM has M10

fly-points. The internally reinforced fly-points can also be used to attach the CCM to a wall or ceiling

mounted bracket.

12 = 12” woofer, this one with a 3” voice coil, delivers the low frequencies. A 3” coil, 1.4” throat compression

driver firing through the center delivers the highs. The cone of the woofer serves as an extension of the

machined aluminum conical horn that comprises the woofer’s pole piece, making it possible to generate

very high output from a very small total surface area. Both share a common Neodymium motor structure

and a cast aluminum basket. The woofer is housed in a sealed Birch enclosure to provide extendable

frequency response, consistent phase response and tight transient response.

MK3 = Completely integrated processing. Eight on-board presets allow for a variety of configurations

at the touch of a button. The on-board presets provide a variety of settings that are optimized for floor-

monitor duty, including settings that account for the boundary loading at each wedge angle as well as

settings to extend LF output with limited SPL and to maximize SPL when used with a subwoofer. The

proprietary BASSBOSS processing ensures exceptional sound quality thanks to its premium quality,

high-fidelity electronics. Its ultra-low noise CODECS, 96kHz sampling rate processor and high-resolution

amplification are some of the finest in the industry.

Powered Loudspeaker = The amplifier in the CCM features a Class D SMPS with PFC, providing two

channels, 900W LF and 300W HF. Yes, this is a bi-amped wedge. The sealed enclosure provides the

flexibility to choose between low-frequency extension or high-SPL operation from the same compact

loudspeaker. BASSBOSS loudspeakers are protected for safe, high-power operation. Optimized signal

processing, premium quality drivers, power-matched amplification and comprehensive protections

ensure that no matter the demand, they keep their cool, keep their character and keep on working.

Produktspezifikationen

Marke:	BASSBOSS
Kategorie:	Lautsprecher
Modell:	CCM12-MK3

Brauchst du Hilfe?

Wenn Sie Hilfe mit BASSBOSS CCM12-MK3 benötigen, stellen Sie unten eine Frage und andere Benutzer werden Ihnen antworten

Ihren Namen*

Deine E-Mail*

Schreiben Sie hier Ihre Frage

Bedienungsanleitung Lautsprecher BASSBOSS

BASSBOSS DV12-MK3 Bedienungsanleitung

4 September 2024

BASSBOSS SSP218-MK3 Bedienungsanleitung

3 September 2024

BASSBOSS DJ18-MK3 Bedienungsanleitung

3 September 2024

BASSBOSS SSP118-MK3 Bedienungsanleitung

3 September 2024

BASSBOSS CCM12-MK3 Bedienungsanleitung

3 September 2024

BASSBOSS AT212-MK3 Bedienungsanleitung

3 September 2024

BASSBOSS BB15-MK3 Bedienungsanleitung

3 September 2024

BASSBOSS DiaMon-MK3 Bedienungsanleitung

10 Juni 2024

BASSBOSS KRAKEN-MK3 Bedienungsanleitung

16 Mai 2024

Bedienungsanleitung Lautsprecher

Neueste Bedienungsanleitung für -Kategorien-

Sonance Visual Performance VP65 SST Bedienungsanleitung

16 Oktober 2024

Bowers And Wilkins CWM664 Bedienungsanleitung

16 Oktober 2024

Focal Chorus 826 V Bedienungsanleitung

16 Oktober 2024

KEF Ci200ER Bedienungsanleitung

16 Oktober 2024

Steren SPK-1100BL Bedienungsanleitung

16 Oktober 2024

Aiwa SP-A100 Bedienungsanleitung

16 Oktober 2024

Trust GXT 628 Bedienungsanleitung

15 Oktober 2024

Pyle PBMSPG6 Bedienungsanleitung

15 Oktober 2024

Marshall Tufton Bedienungsanleitung

15 Oktober 2024

Sunstech SPUBT780 Bedienungsanleitung

15 Oktober 2024