Shure SM81 Bedienungsanleitung
Lesen Sie kostenlos die 📖 deutsche Bedienungsanleitung für Shure SM81 (20 Seiten) in der Kategorie Mikrofon. Dieser Bedienungsanleitung war für 6 Personen hilfreich und wurde von 2 Benutzern mit durchschnittlich 4.5 Sternen bewertet
Seite 1/20
MODEL SM81
UNIDIRECTIONAL CONDENSER MICROPHONE
The Shure Model SM81 is a high-quality, unidirectional
condenser microphone designed for studio recording, broad-
casting, and sound reinforcement. Its wide frequency re-
sponse, low noise characteristics, and low RF susceptibility
have made it a standard for applications involving acoustic in-
struments, especially guitar, piano, and cymbals.
The SM81 is ruggedly constructed. It operates on phantom
power and performs over a wide range of temperatures and hu-
midity conditions. It is furnished with a swivel adapter, attenua-
tor-switch lock, foam windscreen, and case for carrying and
storage. Other accessories are available.
Model SM81 Features
•20 Hz to 20 kHz frequency response
•Flat response curve for accurate reproduction of sound
sources
•Low noise and high output clipping level
•Low distortion over a wide range of load impedances
•Cardioid polar pattern, uniform with frequency and symme-
tric about axis, providing maximum rejection and minimum
coloration of off-axis sounds
•Low RF susceptibility
•Selectable low-frequency response: flat, 6 or 18 dB/octave
rolloff
•0 dB/10 dB lockable attenuator switch
•Phantom powering (DIN 45 596 voltages of 12 to 48 Vdc)
•Rugged steel construction for durability
•Field-usable over wide range of temperature and humidity
conditions
SPECIFICATIONS
Type
Condenser (electret bias)
Frequency Response
20 to 20,000 Hz (see Figure 1)
20 200001000 10000
50 100
98765432 98765432
+10
0
–10
Hz
dB
1 METER
TYPICAL FREQUENCY RESPONSE
FIGURE 1
Polar Pattern
Cardioid (unidirectional) response—uniform with
frequency, symmetrical about axis (see Figure 2)
150o
120o
150o
120o
180o
30o
60o
90o
30o
60o
90o
–5 dB
–10 dB
–15 dB
–20 dB
0
500 kHz
100 Hz
1 kHz
150o
120o
150o
120o
180
o
30o
60 o
90o
30 o
60o
90o
–5 dB
–10 dB
–15 dB
–20 dB
0
2 kHz
5 kHz
10 kHz
TYPICAL POLAR PATTERNS
FIGURE 2
Output Impedance
Rated at 150 Ω (85 Ω actual)
Recommended minimum load impedance: 800 Ω (May
be used with loads as low as 150 Ω with reduced clip-
ping level)
Output Configuration and Connector
Balanced, transformer-coupled output; male XLR con-
nector
Sensitivity (at 1,000 Hz)
Open Circuit Voltage –45 dBV/Pascal (5.6 mV). . . . . . . (1 Pascal = 94 dB SPL)
Clipping Level (at 1,000 Hz)
800 Ω Load –4 dBV (0.63 V). . . . . . . . . . . . . . . . . . . . . . .
150 Ω Load –15 dBV (0.18 V). . . . . . . . . . . . . . . . . . . . . .
Total Harmonic Distortion
Less than 0.5% (131 dB SPL at 250 Hz into 800 Ω load)
Model SM81 User Guide
27B2916 (BJ)
E2002, Shure Incorporated Printed in U.S.A.
2
Maximum SPL (at 1,000 Hz)
800 Ω load 136 dB (attenuator at 0). . . . . . . . . . . . . . . .
146 dB (attenuator at –10)
150 Ω load 128 dB (attenuator at 0). . . . . . . . . . . . . . . .
138 dB (attenuator at –10)
Hum Pickup
–3 dB equivalent SPL in a 1 mOe field (60 Hz)
Self-Noise (equivalent sound pressure levels; measured
with true rms voltmeter)
16 dB typical, A-weighted
19 dB typical, weighted per DIN 45 405
Signal-to-Noise Ratio
78 dB (IEC 651)* at 94 dB SPL
*S/N ratio is difference between microphone output at 94 dB SPL
and microphone self-noise A-weighted.
Overvoltage and Reverse Polarity Protection
Max. external voltage applied to pins 2 and 3 with
respect to pin 1 + 52 Vdc. . . . . . . . . . . . . . . . . . . . . .
Reverse polarity protection 200 mA max.. . . . . . . . . . . .
(diode-clamped)
Polarity
Positive pressure on diaphragm produces positive volt-
age on pin 2 relative to pin 3
Cartridge Capacitance
54 pF
Low Frequency Response Switch Positions
Flat; –6 dB/octave below 100 Hz; –18 dB/octave below
80 Hz
Attenuator Switch Positions (Lockable)
0 or –10 dB
Power
Supply Voltage 11 to 52 Vdc, positive, pins 2 and 3. .
Current Drain 1.2 mA max.. . . . . . . . . . . . . . . . . . . . . . . .
Environmental Conditions
Temperature:
Storage – 29_ to 74_ C. . . . . . . . . . . . . . . . . . . . . . .
( 20–_ to 165_ F)
Operating – 6.7_ to 49_ C. . . . . . . . . . . . . . . . . . . . . .
(20_ to 120_ F)
Humidity:
Storage 0–95% relative humidity at room. . . . . . . .
temperature (72_ _to 80 F, 22_ to 27_ C)
Case
Steel construction with vinyl metallic paint finish and
stainless steel screens
Dimensions
See Figure 3
Weight
Net 230 grams (8 oz). . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Packaged 740 grams (1 lb 10 oz). . . . . . . . . . . . . . . . . .
Certification
Eligible to bear CE marking. Conforms to European
EMC Directive 89/336/EEC. Meets applicable tests and
performance criteria in European EMC Standard EN
55103 (1996) parts 1 and 2 for residential (E1) and light
industrial (E2) environments.
OPERATION
Power
The SM81 requires phantom power. This may be supplied
to the microphone by a mixer, preamplifier or console with built-
in phantom power or from an external power supply (such as
the Shure model PS1A). Phantom power sources providing be-
tween 11 and 52 Vdc are suitable.
Use only high-quality cables because intermittent shorts
between broken shield wires and balanced conductors will
cause extremely large noise transients in the system. Avoid
ground loops due to grounded connector shells or the micro-
phone case touching other grounded metal objects. Follow
generally accepted audio grounding practices.
Impedance
A minimum load impedance of 800 Ω or greater should be
used for maximum signal handling and minimum distortion. The
load may be as low as 150 Ω, but a reduction in output clipping
level will result. It should be noted that the power supply itself
may add loading (3300 Ω in the Shure PS1A power supply) to
the microphones.
PS1A Power Supply
When using the Shure PS1A to phantom power the SM81,
connect the microphone cable to the SM81 and to the MICRO-
PHONE connector of the power supply. The power supply uses
the balanced audio cable pair to carry the supply current to the
microphone and the cable shield as a ground return.
Connect the OUTPUT connector of the power supply to a
low-impedance microphone input of a mixer, audio console or
tape recorder. A second SM81 may be connected to the re-
maining power supply channel in a similar manner.
212 mm
20 mm
23.5 mm
OVERALL DIMENSIONS
FIGURE 3
3
Low-Frequency Response Filter
The SM81 has a three-position low-frequency response fil-
ter controlled by a switch located on its handle. The switch is
recessed to avoid accidental movement, but may be easily
moved with fingertips. The user may select either flat response,
low-frequency rolloff of 6 dB per octave below 100 Hz, or low-
frequency cutoff of 18 dB per octave below 80 Hz (see
Figure 1). When close-miking instruments or vocalists, an
increase in low-frequency response (proximity effect) takes
place. Figure 4 illustrates this effect with the switch in each of
the three positions. Note that the low-frequency response filter
may be used to compensate for proximity effect or reduce low-
frequency noise from stage traffic and other sources.
20 100050 100
+10
0
–10
Hz
dB
152.4 MM ( )
152.4 MM ( )
152.4 MM ( )
PROXIMITY EFFECT AND COMPENSATION
FIGURE 4
Attenuator Switch
The SM81 has a switchable 10 dB capacitive attenuator to
prevent high sound pressure levels from overloading its internal
electronics. The attenuator is engaged by rotating the actuator
ring, located directly below the grille assembly, until it reaches
the “– ”10 position. This reduces the output of the microphone
by 10 dB and increases the maximum sound pressure level at
clipping by 10 dB. There are no intermediate levels of attenua-
tion available.
The attenuator ring may be locked in either the “ ”0 or 10“– ”
position as follows. Unscrew the grille and cartridge assembly
by unscrewing counter-clockwise from the top. Turn the actua-
tor ring to the “ ”0 or 10 position as desired. Insert the actuator“– ”
ring lock (small clear piece of plastic) in the area behind the ac-
tuator ring between the pin and the edge of the slot. This will
prevent the ring from turning. Replace the grill and cartridge as-
sembly.
Mixer Overload
The SM81’s output is about 15 dB higher than most dynam-
ic microphones. At moderate to high SPLs, this additional out-
put may require attenuation (or padding). If no attenuation is
available on the preamplifier, mixer or console being used, a re-
sistive attenuator can be inserted between the microphone and
the input. The Shure Model A15AS Attenuator (15, 20, or 25 dB
switch-selectable) is specially designed for use with condenser
microphones such as the SM81. Alternately, the attenuator de-
sign shown in Figure 5 may be used. The resistors shown are
1/2-watt, 1% tolerance, and the circuit may be packaged in a
Switchcraft S3FM adapter housing. The circuit will provide15
dB of attenuation and can be used between the SM81 and the
PS1A (or other power supply), or between the PS1A and the
mixer. Two of these circuits may be used in series to provide 30
dB of attenuation. (Note that, due to excessive loading, com-
mercially available 150 Ω attenuators, such as the Shure Model
A15AS, are not recommended when two are used in series.)
12
3
OUTPUT TO
MIXER
INPUT FROM
MICROPHONE
12 3
412
412
215
15 DB ATTENUATOR CIRCUIT
FIGURE 5
Wind Noise
The wide frequency response of the SM81 makes it sensi-
tive to wind, breath, and air currents from heating, ventilation
and cooling (HVAC) systems. The foam windscreen included
with the SM81 can be used to reduce wind and breath noise,
while the low-frequency response filter can be used to reduce
low-frequency room noise caused by HVAC systems.
The Model A81G Pop Filter Grille attenuates breath pop-
ping sounds when the microphone is close-talked, and permits
its use outdoors with minimal pickup of rushing and rumbling
sounds. To install the A81G, slip it over the SM81 until the inside
of the A81G touches the top of the microphone. Tighten the
A81G by rotating the knurled collar clockwise from the bottom.
(Note: When removing the A81G, first loosen the knurled collar.
Otherwise the cartridge will unscrew with the A81G.)
For outdoor use under very windy conditions, use the Mod-
el A81WS large foam windscreen.
CAPACITOR
CARTRIDGE
FET
IMPEDANCE
CONVERTER
LF
RESPONSE
FILTER
CLASS A
COMPOUND
AMPLIFIER
RFI
FILTER
BALANCED
TRANSFORMER
REGULATOR/
REVERSE
VOLTAGE
PROTECT
CAPACITIVE
ATTENUATOR
BLOCK DIAGRAM
FIGURE 6
Produktspezifikationen
Marke: | Shure |
Kategorie: | Mikrofon |
Modell: | SM81 |
Brauchst du Hilfe?
Wenn Sie Hilfe mit Shure SM81 benötigen, stellen Sie unten eine Frage und andere Benutzer werden Ihnen antworten
Bedienungsanleitung Mikrofon Shure
6 September 2024
3 September 2024
28 August 2024
20 August 2024
20 August 2024
19 August 2024
19 August 2024
17 August 2024
17 August 2024
17 August 2024
Bedienungsanleitung Mikrofon
- Mikrofon Connect IT
- Mikrofon Gembird
- Mikrofon Hama
- Mikrofon HyperX
- Mikrofon Audio-Technica
- Mikrofon Logitech
- Mikrofon Manhattan
- Mikrofon Manta
- Mikrofon Nacon
- Mikrofon Nedis
- Mikrofon NGS
- Mikrofon Niceboy
- Mikrofon Philips
- Mikrofon Sandberg
- Mikrofon Sharkoon
- Mikrofon Sony
- Mikrofon T'nB
- Mikrofon Trust
- Mikrofon Panasonic
- Mikrofon Roland
- Mikrofon Canon
- Mikrofon Yamaha
- Mikrofon Yealink
- Mikrofon Neumann
- Mikrofon Technaxx
- Mikrofon Day
- Mikrofon Denver
- Mikrofon König
- Mikrofon Renkforce
- Mikrofon Telefunken
- Mikrofon Thomson
- Mikrofon Trevi
- Mikrofon Blaupunkt
- Mikrofon Triton
- Mikrofon Pyle
- Mikrofon Golden Age Project
- Mikrofon AKG
- Mikrofon Auna
- Mikrofon Beyerdynamic
- Mikrofon Bose
- Mikrofon Lenco
- Mikrofon Creative
- Mikrofon Jabra
- Mikrofon JBL
- Mikrofon Sennheiser
- Mikrofon Livoo
- Mikrofon Max
- Mikrofon Olympus
- Mikrofon Tascam
- Mikrofon Zoom
- Mikrofon Bigben
- Mikrofon Plantronics
- Mikrofon Turtle Beach
- Mikrofon Fenton
- Mikrofon OneConcept
- Mikrofon TOA
- Mikrofon American DJ
- Mikrofon Gemini
- Mikrofon Power Dynamics
- Mikrofon Razer
- Mikrofon Samson
- Mikrofon Skytec
- Mikrofon Vonyx
- Mikrofon Peavey
- Mikrofon Marshall Electronics
- Mikrofon Karma
- Mikrofon Atlas
- Mikrofon DJI
- Mikrofon AVerMedia
- Mikrofon President
- Mikrofon Phonak
- Mikrofon Vtech
- Mikrofon Easypix
- Mikrofon Rollei
- Mikrofon Genesis
- Mikrofon Techly
- Mikrofon NZXT
- Mikrofon Behringer
- Mikrofon IMG Stageline
- Mikrofon Mackie
- Mikrofon Numark
- Mikrofon Omnitronic
- Mikrofon ESI
- Mikrofon Marantz
- Mikrofon Monoprice
- Mikrofon Monacor
- Mikrofon TEAC
- Mikrofon Hohner
- Mikrofon United
- Mikrofon Reloop
- Mikrofon TC Helicon
- Mikrofon Majority
- Mikrofon RCF
- Mikrofon Electro-Voice
- Mikrofon Joby
- Mikrofon Tracer
- Mikrofon Boss
- Mikrofon American Audio
- Mikrofon Godox
- Mikrofon Alto
- Mikrofon Kopul
- Mikrofon Chord
- Mikrofon GVM
- Mikrofon Saramonic
- Mikrofon Peerless-AV
- Mikrofon Vaddio
- Mikrofon JLab
- Mikrofon Galaxy Audio
- Mikrofon HQ Power
- Mikrofon Countryman
- Mikrofon Blue Microphones
- Mikrofon Warm Audio
- Mikrofon Speed-Link
- Mikrofon Line 6
- Mikrofon Bogen
- Mikrofon Nuance
- Mikrofon Radial Engineering
- Mikrofon DPA
- Mikrofon Azden
- Mikrofon Sven
- Mikrofon Austrian Audio
- Mikrofon Pyle Pro
- Mikrofon PreSonus
- Mikrofon Qtx
- Mikrofon Hähnel
- Mikrofon ART
- Mikrofon Senal
- Mikrofon Rode
- Mikrofon LD Systems
- Mikrofon Dörr
- Mikrofon IK Multimedia
- Mikrofon Midas
- Mikrofon Simplecom
- Mikrofon Ambient Recording
- Mikrofon Apogee
- Mikrofon TeachLogic
- Mikrofon Krom
- Mikrofon Elgato
- Mikrofon Chandler
- Mikrofon DAP
- Mikrofon DAP Audio
- Mikrofon IDance
- Mikrofon JB Systems
- Mikrofon Joy-it
- Mikrofon M-Audio
- Mikrofon Neewer
- Mikrofon ONYX
- Mikrofon Pure Acoustics
- Mikrofon Sonuus
- Mikrofon Steren
- Mikrofon Harley Benton
- Mikrofon Wharfedale
- Mikrofon Universal Audio
- Mikrofon Aston
- Mikrofon Singing Machine
- Mikrofon Epcom
- Mikrofon Adastra
- Mikrofon Clockaudio
- Mikrofon ITek
- Mikrofon Tula
- Mikrofon MXL
- Mikrofon APart
- Mikrofon Fun Generation
- Mikrofon Blue
- Mikrofon Hollyland
- Mikrofon Celly
- Mikrofon Proel
- Mikrofon Speco Technologies
- Mikrofon Polsen
- Mikrofon Vocopro
- Mikrofon Aluratek
- Mikrofon Comica
- Mikrofon IMG Stage Line
- Mikrofon Atlas Sound
- Mikrofon Eikon
- Mikrofon DB Technologies
- Mikrofon Palmer
- Mikrofon ViolaWave
- Mikrofon BOYA
- Mikrofon Audient
- Mikrofon Lectrosonics
- Mikrofon Konig & Meyer
- Mikrofon Sanken
- Mikrofon Citronic
- Mikrofon SPL
- Mikrofon Brigmton
- Mikrofon Axis
- Mikrofon Nady
- Mikrofon Xtreme
- Mikrofon Audac
- Mikrofon Vexus
- Mikrofon Crestron
- Mikrofon PSSO
- Mikrofon Synco
- Mikrofon Antelope Audio
- Mikrofon Catchbox
- Mikrofon Bontempi
- Mikrofon Audix
- Mikrofon Kurzweil
- Mikrofon Lewitt
- Mikrofon JTS
- Mikrofon Gravity
- Mikrofon Shadow
- Mikrofon Schertler
- Mikrofon Artsound
- Mikrofon Rolls
- Mikrofon Kali Audio
- Mikrofon The T.bone
- Mikrofon Manley
- Mikrofon Thronmax
- Mikrofon Klark Teknik
- Mikrofon AVMATRIX
- Mikrofon ANT
- Mikrofon Schoeps
- Mikrofon CAD Audio
- Mikrofon SE Electronics
- Mikrofon NOX
- Mikrofon Ultimate Support
- Mikrofon Deity
- Mikrofon Majestic
- Mikrofon Point Source Audio
- Mikrofon AmpliVox
- Mikrofon Earthworks
- Mikrofon Relacart
- Mikrofon Auray
- Mikrofon Mars Gaming
- Mikrofon Fishman
- Mikrofon Eurosound
- Mikrofon Aston Microphones
- Mikrofon Williams Sound
- Mikrofon Easyrig
- Mikrofon Mojave
- Mikrofon JZ Microphones
- Mikrofon Soundsation
- Mikrofon ENDORFY
- Mikrofon B-Band
- Mikrofon Perfect Choice
- Mikrofon TIE Audio
- Mikrofon Fluid
- Mikrofon AMT
- Mikrofon Xvive
- Mikrofon Lauten Audio
- Mikrofon White Shark
- Mikrofon Moza
- Mikrofon Nowsonic
- Mikrofon AEA
- Mikrofon Neat
- Mikrofon Antelope
- Mikrofon Prodipe
- Mikrofon Valcom
- Mikrofon IC Intracom
- Mikrofon Oktava
- Mikrofon Sontronics
- Mikrofon Anywhere Cart
- Mikrofon Owl Labs
- Mikrofon Klover
- Mikrofon Intricon
- Mikrofon Royer Labs
- Mikrofon Miktek
- Mikrofon Stageclix
- Mikrofon Townsend Labs
- Mikrofon Sabian
- Mikrofon SmallRig
- Mikrofon Lorgar
- Mikrofon Scope Labs
- Mikrofon Mirfak Audio
- Mikrofon CKMOVA
- Mikrofon DOCKIN
- Mikrofon Tonor
- Mikrofon MILAB
- Mikrofon Switchcraft
- Mikrofon Tonsil
- Mikrofon Sescom
- Mikrofon Sonic Presence
- Mikrofon Movo
- Mikrofon PureLink
- Mikrofon Isovox
- Mikrofon Glemm
- Mikrofon Røde
Neueste Bedienungsanleitung für -Kategorien-
15 Oktober 2024
13 Oktober 2024
13 Oktober 2024
12 Oktober 2024
9 Oktober 2024
9 Oktober 2024
8 Oktober 2024
8 Oktober 2024
8 Oktober 2024
7 Oktober 2024