Shure Beta 98AD/C Bedienungsanleitung

Shure Mikrofon Beta 98AD/C

Lesen Sie kostenlos die 📖 deutsche Bedienungsanleitung für Shure Beta 98AD/C (8 Seiten) in der Kategorie Mikrofon. Dieser Bedienungsanleitung war für 22 Personen hilfreich und wurde von 2 Benutzern mit durchschnittlich 4.5 Sternen bewertet

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BETA98A -- Miniature Cardioid Condenser
Microphone
General Description
The Shure Beta 98A is a compact, high-output, condenser microphone for professional sound reinforcement and
studio recording. An extremely uniform cardioid polar pattern provides excellent gain before feedback and off-axis
rejection of unwanted noise. Its high sound pressure level (SPL) capability makes it useful for a variety of acoustic
or amplified instruments including drums, piano, reed, wind, and strings.
Variations
• includes microphone, 7.6 m (25 ft) light-weight interconnect cable, preamplifier, and RK282 shock-Beta 98A/C
mount swivel adapter.
• includes microphone, 4.6 m (15 ft) heavy-duty interconnect cable, preamplifier, and A98D micro-Beta 98AD/C
phone drum mount.
Performance Characteristics
•Exceptional low-frequency reproduction
•Extremely high SPL handling
•High output level
•No crossover distortion
Features
•Premier live performance microphone with Shure quality, ruggedness, and reliability
•Uniform cardioid pick-up pattern for maximum gain before feedback and superior rejection of off-axis sound
•Tailored frequency response specifically shaped for drums, percussion, reeds, and horns
•Compact design reduces stage clutter
•Wide dynamic range for use in high SPL environments
•Optional A98D mount is unobtrusive, versatile, and easy to adjust
•Enamel-coated metal construction and stainless steel inner grille resist wear and abuse
Interconnecting Cable
The supplied cable connects the BETA 98A to the preamplifier. If necessary, up to 23 m (75 ft) of cable can be
used between the microphone and preamplifier without signal loss.
Shure Incorporated
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Applications
General Rules for Use
• Do not cover any part of the microphone grille with your hand, as this will adversely affect microphone perfor-
mance.
•Aim the microphone toward the desired sound source (such as the talker, singer, or instrument) and away from
unwanted sources.
•Place the microphone as close as practical to the desired sound source.
•Work close to the microphone for extra bass response.
•Use only one microphone to pick up a single sound source.
•For better gain before feedback, use fewer microphones.
•Keep the distance between microphones at least three times the distance from each microphone to its source
(“three to one rule”).
•Place microphones as far as possible from reflective surfaces.
•Add a windscreen when using the microphone outdoors.
•Avoid excessive handling to minimize pickup of mechanical noise and vibration.
Applications and Placement
The following table lists the most common applications and placement techniques. Keep in mind that microphone
technique is largely a matter of personal taste; there is no one "correct" microphone position.
Application
Suggested Microphone Place
ment Tone Quality
Tom-Toms One mic on each tom or between a
pair of toms, 2.5 to 7.5 cm (1 to 3
in.) above drum heads.
Medium attack; full, balanced
sound.
Remove bottom head and place a
mic inside pointing up toward top
drum head.
Maximum isolation; full, balanced
sound.
Snare Drum 2.5 to 7.5 cm (1 to 3 in.) above rim
of top head of drum. Aim mic at
drum head.
Most "snap" from drumstick.
Cymbals Close-mike with an A98D mount
for maximum isolation, but place
out of cymbal movement range.
Bright, with plenty of attack.
Brass & Woodwinds Brass: 30 to 90 cm (1 to 3 ft.)
away, on-axis with bell of instru-
ment.
Bright, clear sound.
Shure Incorporated
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Application
Suggested Microphone Place
ment Tone Quality
Woodwinds: 2.5 to 15 cm (1 to 6
in.) away, on-axis with bell of in-
strument.
Bright, clear sound.
Bell of instrument 90° off-axis from
front of mic.
Softer, mellow sound.
Note: Before each use, make sure the cartridge is tightly secured on the microphone, as vibration and accidental
hits with drumsticks may loosen it, resulting in signal loss.
Shockmount Swivel Adapter
Use the following procedures to mount the Beta 98A on the swivel adapter:
1. Connect the microphone to the adapter.
2. Thread the cable through the C-clamp and slide the connector into the C-clamp until snug.
3. To reduce wear on the cable, snap it into the stress reliever clip leaving 5 to 7 cm (2 to 3 inches) of slack on the
connector side.
BETA 98A MOUNTED WITH SWIVEL ADAPTER
A98D Drum Mount
The Shure A98D mounts the Beta 98A on a drum or cymbal stand. Reference the furnished A98D guide to correct-
ly mount the microphone.
BETA 98A MOUNTED WITH A98D

Produktspezifikationen

Marke: Shure
Kategorie: Mikrofon
Modell: Beta 98AD/C

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