Shure BETA 27 Bedienungsanleitung

Shure Mikrofon BETA 27

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27A13709 (Rev. 1)

Printed in U.S.A. N108

Wired Microphones

BETA 27

Supercardioid Condenser Microphone

Microphone électrostatique supercardioïde

Supernieren-Kondensatormikrofon

Microfono supercardioide a condensatore

Micrófono de condensador de supercardioide

スーパーカーディオイドコンデンサ型マイクロホン

GENERAL DESCRIPTION

The Shure® Beta 27 is a studio-grade, side-address condenser microphone for

professional sound reinforcement. Its flat frequency response, low self noise, and

superior construction quality provide unerring precision in demanding performance

and recording environments. A tight supercardioid pattern ensures high gain-

before-feedback, maximum isolation from other sound sources, and consistent

off-axis rejection.

FEATURES

• Supercardioid polar pattern targets intended sound source with minimized bleed

from off axis sound sources

• 1inch,externallybiased,ultra-thin,2.5μm,24Karatgold-layered,lowmass,

Mylar® diaphragm provides superior transient response

• Class A, discrete, transformerless preamplifier for transparency, extremely

fast transient response, no crossover distortion, and minimal harmonic and

intermodulation distortions

• Premium electronic components and gold-plated internal and external

connectors

• Subsonic filter eliminates rumble from mechanical vibration below 17 Hz

• Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)

• 3-position low-frequency filter switch reduces unwanted background noise or

counteracts proximity effect

• Integrated three-stage “pop” protection grille reduces plosives and other breath

noise

• Internal shock mount reduces handling and stand noise

PERFORMANCE CHARACTERISTICS

• Low self-noise

• Consistent, highly directional polar response

• Exceptional low-frequency reproduction

• Extremely high SPL handling

• High output level

• Extended frequency response

• No crossover distortion

Stand Adapter

Thread the supplied stand adapter onto a floor or boom stand, then thread the

microphone onto the adapter.

NOTE: When in quiet recording environments, use of an isolating shock mount

can reduce low-frequency mechanical vibrations transmitted through the stand.

Visit www.shure.com for more information.

Positioning the Microphone

The front of the microphone is marked by the Shure logo. Position this side toward

the sound source.

Selecting Low-Frequency Response

A three-position switch on the back of the microphone lets you adjust the low-fre-

quency response. Use the low-frequency filter to reduce wind noise, room noise,

or proximity effect.

Flat response. Provides the most natural sound in most applications.

Low frequency cutoff. Provides an 18 dB-per-octave cutoff at 80 Hz. Helps

eliminate floor rumble and low-frequency room noise from heating and air

conditioning systems. This setting may also be used to compensate for proximity

effect or to reduce low frequencies that make an instrument sound dull or muddy.

Low frequency rolloff. Provides a 6 dB-per-octave rolloff filter at 115 Hz.

Use this to compensate for proximity effect or to reduce low frequencies that

could make an instrument sound dull or muddy.

Setting Attenuation

The attenuation switch lets you reduce the signal level without altering the fre-

quency response. This can prevent extremely loud sounds from overloading the

microphone.

0 dB For “quiet” to “normal” sound levels.

-15 dB For use with extremely loud sound sources such as drums, horns, or loud

guitar cabinets.

Load Impedance

Maximum SPL capability, output clipping level, and dynamic range vary with the

input load impedance of the preamplifier to which you connect the microphone.

Shurerecommendsaminimuminputloadimpedanceof1000Ω.Mostmodernmi-

crophone preamplifiers meet this requirement. Higher impedance results in better

performance for these specifications.

Applications

• Electric guitar and bass amplifiers

• Brass and woodwind instruments

• Orchestras, choirs, and wind ensembles

• Overhead miking of drums and percussion instruments

• Close-miking of acoustic instruments such as piano, guitar, violins, drums, and

percussion

• Low-frequency instruments such as double bass and kick drum

• Vocals and speech

Note: Sound quality is strongly affected by microphone location and room acous-

tics. To achieve the best overall sound for a particular application, it may be neces-

sary to experiment with microphone placement and room treatments.

Integral Pop Filter

The microphone grille consists of 3 separate mesh layers that act as an integral

pop filter. This helps reduce wind and breath noise. Depending on the performer,

an external pop-protection screen or windscreen may be necessary when close-

miking vocalists.

Power Requirements

Thismicrophonerequiresphantompowerandperformsbestwitha48Vdcsupply

(IEC-268-15/DIN45596).However,itwilloperatewithslightlydecreasedhead-

room and sensitivity with supplies as low as 11 Vdc.

Most modern mixers provide phantom power. You must use a micro-balanced

phone cable: XLR-to-XLR or XLR-to-TRS.

Produktspezifikationen

Marke:	Shure
Kategorie:	Mikrofon
Modell:	BETA 27
Produktfarbe:	Grau
Übertragungstechnik:	Kabelgebunden
Typ:	Studio-Mikrofon
Geräteschnittstelle:	XLR-3
Energieverbrauch:	5.6 mA
Mikrofon-Frequenz:	20 - 20000 Hz
Mikrofon-Empfindlichkeit:	-37 dB
Ausrichtung des integrierten Mikrofons:	Superkardioid
Anzahl enthaltener Produkte:	1 Stück(e)
Arbeitsspannung:	48 V
Mikrofongewicht:	428 g
Output Widerstand:	160 Ohm