Samson R21 Bedienungsanleitung
Lesen Sie kostenlos die 📖 deutsche Bedienungsanleitung für Samson R21 (4 Seiten) in der Kategorie Mikrofon. Dieser Bedienungsanleitung war für 16 Personen hilfreich und wurde von 2 Benutzern mit durchschnittlich 4.5 Sternen bewertet
Seite 1/4
D Y N A M I C M I C R O P H O N E
O W N E R S M A N U A L
®
Thank you for purchasing the Samson R21 Dynamic Microphone. The R21 dynamic
microphone brings a high level of accuracy and audio performance to vocal miking
applications.
The R21 is a hand held dynamic microphone that excels in both live performance
and recording applications. Equipped with a linear frequency response for
superior reproduction, it is also designed to withstand high sound pressure
levels. Extremely sensitive, it employs a tight cardioid pattern to reduce feedback.
A special shock-mounted element minimizes handling noise and provides
additional protection.
Should your microphone ever require servicing, a Return Authorization number
(RA) must be obtained before shipping your unit to Samson. Without this number,
the unit will not be accepted. Please call Samson at 1-800-3SAMSON (1-800-372-
6766) for a Return Authorization number prior to shipping your unit. Please retain
the original packing materials and if possible return the unit in the original carton
and packing materials
Features
The Samson R21 utilizes state-of-the-art microphone technology and is
engineered to the finest detail. Here are some of its main features:
•Tight cardioid polar pattern minimizes feedback problems and effectively
rejects signals not originating directly in front of the mic capsule.
•Extended range frequency response for optimum reproduction and
exceptionally clear, crisp sound.
•Special shock-mounting allows movement of the mic element to greatly
reduce handling noise.
•Rugged zinc alloy die-casting case ensures reliable performance in even the
most demanding environments.
•Lightweight and compact, the R21 can be mounted on any standard
microphone stand (using the included mic clip) or can be easily handheld
for long periods without inducing fatigue.
•Included foam-lined impact resistant carrying case for convenience when
transporting three R21 microphones from venue to venue.
Copyright 2001, Samson Technologies Corp.
Printed May, 2001
Samson Technologies Corp.
575 Underhill Blvd.
P.O. Box 9031
Syosset, NY 11791-9031
Phone: 1-800-3-SAMSON (1-800-372-6766)
Fax: 516-364-3888
www.samsontech.com
Microphone Placement and Tone Quality
Listed are some common microphone placement techniques. Use these sugges-
tions as a guide and let your ears determine what works best in your situation.
• Sound source less than 6 inches away from mic Full sound, pronounced—
bass, increased isolation from background noise.
• Sound source 6 inches to 2 feet away from mic.—Balanced natural sound, less
bass, some background noise.
• Sound source 3 to 6 feet away. from mic—Thinner ambient sound.
Guidelines for Microphone Use
• Aim the microphone at the desired source. Keep unwanted sound sources at a
135°angle from the front of the microphone (see polar pattern).
• Place the microphone as close to the sound source as possible.
• Use the proximity effect to your advantage: The closer the mic is to the sound
source, the more emphasized the bass response will be.
• Use a windscreen to suppress unwanted wind noise.
• Never cup your hand over the microphone grill.
Operating Notes
• The R21 will boost bass frequencies when the microphone is between 0—6
inches from the sound source. As you move the sound source further away
from the microphone, the bass response will gradually roll off.
• The R21 has a built-in wind screen which protects against most wind and
breathing noise. Under adverse conditions, such as high winds, an optional
foam windscreen can be used.
• For maximum signal handling capability and minimal distortion, a minimum
load impedance of 800 ohms should be used. A reduction in output signal
strength and output clipping level will result with the load at 150 ohms.
•Withstands high SPLs lending itself to a wide range of miking
situations
•Ultra sensitive element picks up all of the nuances of any performance
•Gold plated XLR Connector
Every microphone has a characteristic polar pattern that determines how well it
accepts or rejects signal coming from various areas around the microphone. For
example, omnidirectional mics accept all signals regardless of wherever those
signals originate (in front of the mic, behind it, to the side, etc.).
The R211 can be connected to any mixer, mixer/amplifier, or mic preamp using a
standard microphone cable. As shown in the wiring diagrams below, connect the
female XLR end directly to the R21’s gold-plated connector and the other end
(normally a male XLR end, although some mixers use 1/4" connectors) to the
mixer, mixer/amplifier, or mic preamp.
1
3
22
3
1
Female XLR
Male XLR
Hot (2)
Cold (3)
Common (1)
Hot (2)
Cold (3)
Common (1)
Solder Points
End Vie
w
End View
Solder Points
1 2
3
2 1
3
The R21 can be mounted to any standard microphone stand (using the included
mic clip) or can be handheld; due to its unique mic element shock mounting, it
generates significantly less handling noise than most other microphones. If handheld,
take care not to cover the any part of the head grille with your hand. Be aware of a
phenomenon called the proximity effect which causes a noticeable increase in low
frequencies (bass response) when a microphone is close to the audio source. This
can have positive impact—for example, it will cause your voice to sound much fuller
when you sing close to the mic than when you sing at a distance. The R21 is spe-
cially designed to be used up close, since it provides a built-in windscreen for
removal of pops, sibilance and onstage noise. The key to developing the best mic
technique is experimentation, along with awareness of the general principle that,
the closer your R21 is to a signal source, the greater the bass response.
20
-20
-10
0
+10
dB
50 100 200 500 1000 2000 5000 10000 20000
R21 Frequency Chart
1
3
2
Female XLR
Hot (2)
Cold (3)
Common (1)
Solder Points
End Vie
w
2 1
3
1
3
2
Female XLR
Male Phone
Jack (TS)
Male Phone
Jack (TRS)
Hot (2)
Cold (3)
Common (1)
Solder Points
End Vie
w
2 1
3
Tip (Hot) Hot
Cold
Ring (Cold)
Sleeve (Common)
Tip (Hot) Hot
Sleeve (Common and Cold)
Common
Common and Cold
Produktspezifikationen
Marke: | Samson |
Kategorie: | Mikrofon |
Modell: | R21 |
Brauchst du Hilfe?
Wenn Sie Hilfe mit Samson R21 benötigen, stellen Sie unten eine Frage und andere Benutzer werden Ihnen antworten
Bedienungsanleitung Mikrofon Samson
5 September 2024
4 September 2024
3 September 2024
2 September 2024
1 September 2024
28 August 2024
23 August 2024
22 August 2024
16 August 2024
15 August 2024
Bedienungsanleitung Mikrofon
- Mikrofon Connect IT
- Mikrofon Gembird
- Mikrofon Hama
- Mikrofon HyperX
- Mikrofon Audio-Technica
- Mikrofon Logitech
- Mikrofon Manhattan
- Mikrofon Manta
- Mikrofon Nacon
- Mikrofon Nedis
- Mikrofon NGS
- Mikrofon Niceboy
- Mikrofon Philips
- Mikrofon Sandberg
- Mikrofon Sharkoon
- Mikrofon Sony
- Mikrofon T'nB
- Mikrofon Trust
- Mikrofon Panasonic
- Mikrofon Roland
- Mikrofon Canon
- Mikrofon Yamaha
- Mikrofon Yealink
- Mikrofon Neumann
- Mikrofon Technaxx
- Mikrofon Day
- Mikrofon Denver
- Mikrofon König
- Mikrofon Renkforce
- Mikrofon Telefunken
- Mikrofon Thomson
- Mikrofon Trevi
- Mikrofon Blaupunkt
- Mikrofon Triton
- Mikrofon Pyle
- Mikrofon Golden Age Project
- Mikrofon AKG
- Mikrofon Auna
- Mikrofon Beyerdynamic
- Mikrofon Bose
- Mikrofon Lenco
- Mikrofon Creative
- Mikrofon Jabra
- Mikrofon JBL
- Mikrofon Sennheiser
- Mikrofon Shure
- Mikrofon Max
- Mikrofon Olympus
- Mikrofon Tascam
- Mikrofon Zoom
- Mikrofon Bigben
- Mikrofon Plantronics
- Mikrofon Turtle Beach
- Mikrofon Fenton
- Mikrofon OneConcept
- Mikrofon TOA
- Mikrofon American DJ
- Mikrofon Gemini
- Mikrofon Power Dynamics
- Mikrofon Razer
- Mikrofon Skytec
- Mikrofon Vonyx
- Mikrofon Peavey
- Mikrofon Marshall Electronics
- Mikrofon Karma
- Mikrofon Atlas
- Mikrofon DJI
- Mikrofon AVerMedia
- Mikrofon President
- Mikrofon Phonak
- Mikrofon Vtech
- Mikrofon Easypix
- Mikrofon Rollei
- Mikrofon Genesis
- Mikrofon Techly
- Mikrofon NZXT
- Mikrofon Behringer
- Mikrofon IMG Stageline
- Mikrofon Mackie
- Mikrofon Numark
- Mikrofon Omnitronic
- Mikrofon ESI
- Mikrofon Marantz
- Mikrofon Monoprice
- Mikrofon Monacor
- Mikrofon TEAC
- Mikrofon Hohner
- Mikrofon United
- Mikrofon Reloop
- Mikrofon TC Helicon
- Mikrofon Majority
- Mikrofon RCF
- Mikrofon Electro-Voice
- Mikrofon Joby
- Mikrofon Tracer
- Mikrofon Boss
- Mikrofon American Audio
- Mikrofon Godox
- Mikrofon Alto
- Mikrofon Kopul
- Mikrofon Chord
- Mikrofon GVM
- Mikrofon Saramonic
- Mikrofon Peerless-AV
- Mikrofon Vaddio
- Mikrofon JLab
- Mikrofon Galaxy Audio
- Mikrofon HQ Power
- Mikrofon Countryman
- Mikrofon Blue Microphones
- Mikrofon Warm Audio
- Mikrofon Speed-Link
- Mikrofon Line 6
- Mikrofon Bogen
- Mikrofon Nuance
- Mikrofon Radial Engineering
- Mikrofon DPA
- Mikrofon Azden
- Mikrofon Sven
- Mikrofon Austrian Audio
- Mikrofon Pyle Pro
- Mikrofon PreSonus
- Mikrofon Qtx
- Mikrofon Hähnel
- Mikrofon ART
- Mikrofon Senal
- Mikrofon Rode
- Mikrofon LD Systems
- Mikrofon Dörr
- Mikrofon IK Multimedia
- Mikrofon Midas
- Mikrofon Simplecom
- Mikrofon Ambient Recording
- Mikrofon Apogee
- Mikrofon TeachLogic
- Mikrofon Krom
- Mikrofon Elgato
- Mikrofon Chandler
- Mikrofon DAP
- Mikrofon DAP Audio
- Mikrofon IDance
- Mikrofon JB Systems
- Mikrofon Joy-it
- Mikrofon M-Audio
- Mikrofon Neewer
- Mikrofon ONYX
- Mikrofon Pure Acoustics
- Mikrofon Sonuus
- Mikrofon Steren
- Mikrofon Harley Benton
- Mikrofon Wharfedale
- Mikrofon Universal Audio
- Mikrofon Aston
- Mikrofon Singing Machine
- Mikrofon Epcom
- Mikrofon Adastra
- Mikrofon Clockaudio
- Mikrofon ITek
- Mikrofon Tula
- Mikrofon MXL
- Mikrofon APart
- Mikrofon Fun Generation
- Mikrofon Blue
- Mikrofon Hollyland
- Mikrofon Celly
- Mikrofon Proel
- Mikrofon Speco Technologies
- Mikrofon Polsen
- Mikrofon Vocopro
- Mikrofon Aluratek
- Mikrofon Comica
- Mikrofon IMG Stage Line
- Mikrofon Atlas Sound
- Mikrofon Eikon
- Mikrofon DB Technologies
- Mikrofon Palmer
- Mikrofon ViolaWave
- Mikrofon BOYA
- Mikrofon Audient
- Mikrofon Lectrosonics
- Mikrofon Konig & Meyer
- Mikrofon Sanken
- Mikrofon Citronic
- Mikrofon SPL
- Mikrofon Brigmton
- Mikrofon Axis
- Mikrofon Nady
- Mikrofon Xtreme
- Mikrofon Audac
- Mikrofon Vexus
- Mikrofon Crestron
- Mikrofon PSSO
- Mikrofon Synco
- Mikrofon Antelope Audio
- Mikrofon Catchbox
- Mikrofon Bontempi
- Mikrofon Audix
- Mikrofon Kurzweil
- Mikrofon Lewitt
- Mikrofon JTS
- Mikrofon Gravity
- Mikrofon Shadow
- Mikrofon Schertler
- Mikrofon Artsound
- Mikrofon Rolls
- Mikrofon Kali Audio
- Mikrofon The T.bone
- Mikrofon Manley
- Mikrofon Thronmax
- Mikrofon Klark Teknik
- Mikrofon AVMATRIX
- Mikrofon ANT
- Mikrofon Schoeps
- Mikrofon CAD Audio
- Mikrofon SE Electronics
- Mikrofon NOX
- Mikrofon Ultimate Support
- Mikrofon Deity
- Mikrofon Majestic
- Mikrofon Point Source Audio
- Mikrofon AmpliVox
- Mikrofon Earthworks
- Mikrofon Relacart
- Mikrofon Auray
- Mikrofon Mars Gaming
- Mikrofon Fishman
- Mikrofon Eurosound
- Mikrofon Aston Microphones
- Mikrofon Williams Sound
- Mikrofon Easyrig
- Mikrofon Mojave
- Mikrofon JZ Microphones
- Mikrofon Soundsation
- Mikrofon ENDORFY
- Mikrofon B-Band
- Mikrofon Perfect Choice
- Mikrofon TIE Audio
- Mikrofon Fluid
- Mikrofon AMT
- Mikrofon Xvive
- Mikrofon Lauten Audio
- Mikrofon White Shark
- Mikrofon Moza
- Mikrofon Nowsonic
- Mikrofon AEA
- Mikrofon Neat
- Mikrofon Antelope
- Mikrofon Prodipe
- Mikrofon Valcom
- Mikrofon IC Intracom
- Mikrofon Oktava
- Mikrofon Sontronics
- Mikrofon Anywhere Cart
- Mikrofon Owl Labs
- Mikrofon Klover
- Mikrofon Intricon
- Mikrofon Royer Labs
- Mikrofon Miktek
- Mikrofon Stageclix
- Mikrofon Townsend Labs
- Mikrofon Sabian
- Mikrofon SmallRig
- Mikrofon Lorgar
- Mikrofon Scope Labs
- Mikrofon Mirfak Audio
- Mikrofon CKMOVA
- Mikrofon DOCKIN
- Mikrofon Tonor
- Mikrofon MILAB
- Mikrofon Switchcraft
- Mikrofon Tonsil
- Mikrofon Sescom
- Mikrofon Sonic Presence
- Mikrofon Movo
- Mikrofon PureLink
- Mikrofon Isovox
- Mikrofon Glemm
- Mikrofon Røde
Neueste Bedienungsanleitung für -Kategorien-
15 Oktober 2024
13 Oktober 2024
13 Oktober 2024
12 Oktober 2024
9 Oktober 2024
9 Oktober 2024
8 Oktober 2024
8 Oktober 2024
8 Oktober 2024
7 Oktober 2024