Marshall MG250DFX Bedienungsanleitung
Marshall
Gitarrenverstärker
MG250DFX
Lesen Sie kostenlos die 📖 deutsche Bedienungsanleitung für Marshall MG250DFX (6 Seiten) in der Kategorie Gitarrenverstärker. Dieser Bedienungsanleitung war für 4 Personen hilfreich und wurde von 2 Benutzern mit durchschnittlich 4.5 Sternen bewertet
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Owners Manual
MG
S E R I E S
250
DFX
MG
S E R I E S
50
DFX
From Jim Marshall
I would like to personally thank you for selecting one of
my new MG range of combos – the MG50DFX 1x12" or the
stereo MG250DFX 2x12".
As a musician myself, I fully understand what it takes to
perform live in a band situation. In addition to talent,
dedication and a lot of hard work, you also need equipment
that will help you deliver the goods in each and every
playing situation you find yourself in. With this goal firmly in
mind, I set my experienced R&D team the task of designing
a new range of affordable MG amplifiers that will deliver the
tone you’re looking for at all volume levels – from quiet late
night practice to a full-blown live gig and all points in-between – in the way only a Marshall can.
Utilising groundbreaking new technologies, some of which were developed for our critically acclaimed
AVT range, the new MG Series raises the standard for what can be expected from a value-for-money
range of guitar amplifiers and defines a new benchmark. For example, the power amp section of your
new combo boasts FDD (Frequency Dependent Damping) – a radical new feature that is exclusive to
Marshall Amplification and accurately mimics the way our all-valve amplifiers interact with a
loudspeaker. As a direct result of FDD, your new MG50DFX/MG250DFX will give you a sound and feel
never before thought possible in such an affordable, non-valve amp.
The DFX (Digital Effects) featured in both the MG50DFX and MG250DFX have been custom voiced
by our in-house digital effects experts. Each one of the five effect types on offer (Chorus/Delay, Delay,
Chorus, Flange and Reverb) have been designed to emulate the much sought after warmth and feel of
analogue effects, but in a highly flexible digital format. Furthermore, a wide range of variations for each
effect are quite literally at your fingertips – merely tweaking the three DFX controls (Preset/Adjust & FX
Level controls for the Chorus/Delay, Delay, Chorus and Flange options; and a separate Level control for
the Reverb) on the front panel, will give rise to sounds that range from subtle to radical, while always
remaining both natural and musical.
Like all the amplifiers in the new MG range, state-of-the-art manufacturing and stringent quality control
procedures ensure that these combos meet the high standard of build you have come to expect from all
Marshall products. The MG50DFX and MG250DFX were completely designed and engineered at my
Headquarters in Milton Keynes, England.
Whether the MG50DFX or MG250DFX is your first ever Marshall, or is the latest addition to your
arsenal of amps, the tone, flexibility and feel of these compact, rugged combos is guaranteed to deliver
the goods – from bedroom to backstage to onstage!
I wish you every success with your new Marshall. Welcome to the family...
Yours Sincerely,
1
ENGLISH
WARNING! - Importa
!
!
!
!!
1. INPUT jack
Use a good quality guitar cable (i.e. one that’s
screened/shielded) to plug your guitar in here.
2. Clean Channel GAIN control
When the Clean Channel is selected, this control
adjusts its volume. At low settings the sound will be
very clean with a pleasing, bell-like ring. Turning
this control above half way will introduce a
desirable, bluesy distortion as the power amplifier
stage is driven into ‘crunch mode’.
3. Clean Channel BASS control
Turning up the Bass control will add warmth and
low-end depth to your clean sound. The Bass control
can be used in conjunction with the FDD switch (17)
to produce deep sounding, valve-like clean tones that
are well defined yet still full and round.
4. Clean Channel MIDDLE control
Adjusting the middle frequencies in your clean
channel will vary the amount of body to your sound.
Attenuating (decreasing) the middle by turning this
control anticlockwise will yield a more hollow sound
with the bass and treble frequencies appearing to
be more accentuated. Conversely, increasing the
middle will add body to the Clean Channel’s sound.
5. Clean Channel TREBLE control
Increasing the Treble will make your clean sounds
brighter and more cutting, turning it down will
decrease your tones edge and make it sound softer
as a result.
6. CHANNEL SELECT switch
This push switch allows you to change between
the amp’s two channels, Clean and Overdrive, via
the front panel. When this switch is ‘out’ the Clean
channel is engaged, pushing it ‘in’ switches to the
Overdrive Channel. Channel switching can also be
done via the included two-way footswitch (when the
footswitch is connected the CHANNEL SELECT
switch is not functional).
Note: When the Overdrive Channel is selected,
the OD LED (7) will light up red.
7. OD LED
When illuminated, this LED indicates that the
Overdrive Channel has been selected by either the
Channel Select switch (6) or the supplied two-way
footswitch.
8. Overdrive Channel GAIN control
Turning up the Gain control will increase the
amount of preamp distortion generated in the
Overdrive Channel. Low Gain control settings will
produce classic rock and blues tones. Crank this
control for fat and aggressive sounds that are
perfect for soloing or hard rock and nu-metal riffing.
9. Overdrive Channel BASS control
Turning up this control will add extra low-end
‘thump’ to high gain riffs and a warm, natural
sounding depth to lower gain crunch tones. Using
the Bass control in conjunction with the FDD switch
(17) will allow you to dial in the exact amount of
low-end ‘thump’ and tightness you are looking for.
10. Overdrive Channel CONTOUR control
This highly effective tone control works by
radically modifying the mid-range (body) of your
sound. The tone can vary from traditional and
woody sounding (control set at 0), to balls-to-the-
wall (control set midway), to aggressive, ‘scooped’
and modern (turned up to 10) and all points in-
between.
11. Overdrive Channel TREBLE control
This important knob controls the aggressive top-
end ‘sizzle’ you have on high gain sounds and the
‘cut’ and definition of lower gain crunch tones.
Experimenting with this control will help you to dial
in your own signature tones on your amp.
MG50DFX & MG250DFX Front Panel Features
1 2 3 4 5 6 7 8 9 10 11
ENGLISH
3
Produktspezifikationen
| Marke: | Marshall |
| Kategorie: | Gitarrenverstärker |
| Modell: | MG250DFX |
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